A Quote by William H. Macy
I've studied Stanislavsky, and Mamet taught Stanislavsky, and I studied with Sanford Meisner. But the part of the method that I think is the most fruitful is the method of physical actions. It all comes down to your objective: Nothing else counts except what you want. How you feel will take care of itself.
Related Quotes
Most American actors are taught the Stanislavsky method... Method acting, but I really think that as an actor you have to develop what works for you. There is really not one way of doing anything. There are many ways of achieving the same goal.
I don't really have a method or a technical process. I studied [Sanford] Meisner, and that's the thing that really works for me. That sort of instinctual, in the moment, what the other actors do, working off them and letting the story unfold, as opposed to having an idea of what the story should be.
I don't want my work to be heavy. The challenge is to make it interesting and engaging, keeping in mind the need for method acting. This is what I have learnt from Bharat Muni's 'Natya Shastra' and from the Russian theatre legend Stanislavsky.
I wouldn't call myself a method actor, but I have my own method. I do my own research. I come up with a background for the character. I'm not a club man. I don't like isms. I've never really studied Stanislavski.
A scientific or technical study always consists of the following three steps:
1. One decides the objective.
2. One considers the method.
3. One evaluates the method in relation to the objective.
It is not true that I invented what is called the Montessori Method... I have studied the child; I have taken what the child has given me and expressed it, and that is what is called the Montessori Method.
I studied method acting for four years and I'm a big believer in the idea that it's not about the actual experience itself. You don't have to go through exactly what this character has gone through.
I always panic on the first day of work. You can do all the Stanislavsky-backstory homework, but when that moment arrives and you are in the clothes, hair, and makeup of somebody else, and you're saying the words created by somebody else - I never know how to do it. It's a complete mystery to me.
I am not a method actor, though I studied for a year with Lee Strasburg.
I studied Judaism a lot. I studied religion in general, and I have never imposed my Judaism on my kids. They are what they want to be. I think... you must care for others. That's the correct religion, I think.
I'm not a method guy. I can't be bothered to have a method. I just want to be a part of a good movie and I can't stand to be surrounded by morons.
I definitely consider myself a Method actor, because of my training. I might dispute what people consider a Method actor to be. For my money, a Method actor is an actor who has a technique. That has a method. And not one method, but whatever might be required. So a Method actor is always learning.
I read all the books on Fairfax in the British Library, did a lot of horse riding and studied military tactics of the time, finding out that he actually laid his rose garden out in strategic formations! But Method acting is a label I don't really understand, because there's a method to everybody's acting. In terms of jumping into a character's skin, I try to immerse myself in the role as much as possible to bring me closer to them. All I do is what's required to achieve what I want to achieve.
Science is nothing more than a method of inquiry. The method says an assertion is valid - and will be universally accepted - only if it can be reproduced by others, and thereby independently verified. The impersonal rigor of the method has produced enormously powerful results for 400 years. The scientific method is utterly apolitical. A truth in science is verifiable whether you are black or white, male or female, old or young. It’s verifiable whether you know the experimenter, or whether you don’t.
There are two schools of thought: There are those actors who explain to you that they know exactly how they're going to do the part... And then there is the other method, which is to have no method at all. This is mine.
It's just a weird idea to me because each book is a complete universe unto itself, so why would I want this other universe from this other galaxy that has nothing to do with mine? That's how I really feel about it. Let's be honest - I'm still the writer, so certain things will be common denominators. But that I just want to keep natural and not studied.
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