A Quote by William H. Macy

Sometimes, directors are afraid to stop shooting, because the second you stop and say, "We got it," and move on, you'll never get another chance. And they're terrified to get in the cutting room and not be happy. So they just keep shooting.
Like I tell myself all the time, you have to keep shooting. I'm not going to stop shooting.
I had a lot of time and the first year I was in prison, I tried to get the party to stop the shooting, to stop the talk about the gun thing.
I think some people get just locked into 'this is the way it has to be,' and they're afraid of messing something up. I don't ever want to be that way with shooting or with anything, really - not just shooting.
I realized that a lot of the great directors that I admire from [Ingmar] Bergman to [Fredrico] Fellini re always shooting, then going into the editing room, and shooting again.
While shooting in Patiala, I never felt as if I was shooting here for first time, such was the love I got from the locals and Punjabi actors shooting with me.
I didn't get to see Predator until halfway through shooting. It was great to get an education while I was shooting because it made me excited to be part of this legacy.
Unfortunately, the public might not know that we get a script usually two days before shooting. So sometimes I'm shooting an episode and don't even know how it's going to end because I haven't read that yet.
Making a mistake means overshooting a scene, shooting too many takes, for instance. Long after you've got it, you just keep shooting.
Sometimes God picks you up and tells you, "You've been messing around now. You're going to have to stop this, stop that, but I'll give you another chance." And you wonder why you're given another chance. It must be for something; it must be to celebrate life.
I never stop. I don't want to stop acting because I'm afraid it'll all end, so I never say no.
Writing is so... I don't know, it's such a practice, and I feel very unpracticed in it, because I'm not doing it every day. And I really need to do it every day. In other words, you spend all this time writing a movie, and then you stop, and then you're shooting the movie, and then you're cutting, and a year and a half goes by, because in the editing room, you're not writing.
Sometimes you just have to turn the page to realize there's more to your book of life than the page you're stuck on. Stop being afraid to move on. Close this chapter of hurt, and never re-read it. It's time to get what your life deserves, and move on from the things that don't deserve you. Don't try to fix what's been broken in your past, let your future create something better.
If you are using a digital camera specifically for that reason you have in mind from the beginning, then yeah, it'll work. But like if you're just shooting a normal film and just kind of just shooting extra stuff because you can because you've got the memory space, it's a bit pointless.
When a man is shooting a handgun, it's just like he is shooting because that's his job, and he has no other choice. It's no good. When a girl is shooting a handgun, it's really something.
Guide to the world of the dead. When you are certain that the body has left you, feel sad for the good you didn’t get to do; then stop feeling sad and begin your journey to the past. Feel happy for the evil you didn’t get to do, then stop feeling happy and realize that what propels you is chance, which when you were going in the opposite direction seemed to you like order, or necessity.
I enjoyed shooting 'Chandramukhi' so much that I would not say it was a relief when the shooting got over.
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