A Quote by William H. Macy

I have a tendency to say yes to a script or no to a script. Not yes based on a rewrite. — © William H. Macy
I have a tendency to say yes to a script or no to a script. Not yes based on a rewrite.
I have a tendency to say 'yes' to a script or no to a script. Not 'yes' based on a rewrite.
When Lars Von Trier calls me, I say yes without reading the script because often the script hasn't been written yet, and if Fincher called me again, I'd say yes without reading the script, too.
You are about to start the greatest improvisation of all. With no script. No idea what's going to happen, often with people and places you have never seen before. And you are not in control. So say 'yes.' And if you're lucky, you'll find people who will say 'yes' back.
I've never done a big series like 'Game of Thrones' before. All I knew was that it was HBO, and I'd seen what they had done with 'The Sopranos' and 'The Wire.' But when I started reading the script, it was a no-brainer. Yes, yes, yes. Gold. Every time I turned the page.
We see only the script and not the paper on which the script is written. The paper is there, whether the script is on it or not. To those who look upon the script as real, you have to say that it is unreal - an illusion - since it rests upon the paper. The wise person looks upon both paper and script as one.
My parameter of judging a script has not changed over the years. I still go for a script where the story interests me. Yes, there are times where I might go wrong; say, out of five scripts, I might go wrong on one.
This is an attraction based Universe. You cannot say no. You are always saying, 'Yes please, yes please, yes please,' with your attention.
It was a great circumstance when I received the script of [Chloe] and Atom [Egoyan] said he wanted me to do it. I was inclined to say 'yes' immediately.
One of my New Year's resolutions is to say 'yes!' Yes to love, yes to life, yes to staying in more!
There were guys in 'The State' who would take one script and rewrite it and rewrite it and rewrite it and fight for it for a whole season, and after a couple of seasons, you realized that doesn't work. You have to just be willing to throw something away, no matter how good it is, and write a better joke.
Cause I am a Superwoman, Yes I am, Yes she is, Even when I'm a mess, I still put on a vest, With an S on my chest, Oh yes, I'm a Superwoman, ... And all my sisters, Coming together, Say yes I will, Yes I can
Sometimes, when you briefly glance in Hollywood, there's a tendency to play it in a very "Yes, she's exhausted, and yes, she's working, and yes, she's taking care of her kids full time, and yes, she's a mom, but she's also in a great mood all the time."
Find a way to say “Yes” to things. Say yes to invitations to a new country, say yes to meet new friends, say yes to learning a new language, picking up a new sport. Yes is how you get your first job, and your next job. Yes is how you find your spouse, and even your kids.
Most American Hispanics don't belong to one race, either. I keep telling kids that, when filling out forms, they should put "yes" to everything - yes, I am Chinese; yes, I am African; yes, I am white; yes, I am a Pacific Islander; yes, yes, yes - just to befuddle the bureaucrats who think we live separately from one another.
Very often, it's the director that I'm attracted to. If it's a really good director, I don't even have to read the script to say yes.
I usually decide if I'm going to do a movie based on if I like the script or not. I thought 'Pulling Strings' had every single element that a classic romantic comedy needs to be a success. It's very well written. The cast was amazing. It was a decision I made based on the power of the script.
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