A Quote by William H. Macy
Stephen King writes a lot of things that are really charming and quirky, and that are more ironic than horror.
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Audiences are very sophisticated and they know the nuts and bolts of the genre - certainly with horror more than others I think. But they attract lots of people, they're much derided as a genre but people go and see them and they're not all dumb. There's some very clever horror films. Stephen King gets a lot of flack for not being a proper writer because he's a horror writer, but I think he writes some brilliant books. I think it's wrong to just bin it before looking at it.
I grew up on all sorts of horror - Hammer Horror and Vincent Price's 'Theatre Of Blood.' I loved the hidden, scary layers, but there wasn't that much around for youngsters in terms of horror books. I can remember reading Stephen King's 'Salem's Lot' and 'Cujo,' but I thought there should be more for teenaged horror fans.
Stephen King says that if you forget an idea, then it can't have been any good. He means he, not you. You are not Stephen King. Do not attempt to emulate Stephen King at home.
If you look back at a lot of these Spielberg movies and Stephen King books, even though there's a lot of fun and a lot of camaraderie, there's also a bit of sadness there, whether it's 'E.T.' with the divorce or in Stephen King's 'It,' where there's racism. There's always some sort of evil - there's sadness and people aren't happy.
A lot of my friends are people who do horror films: Wes Craven, John Carpenter, Stephen King.
Stephen King's 'It' is my favorite book of all time. I was that kid that would come to the library and be like: 'There's more Stephen King? Great.'
The reason you can take the leap of faith with Stephen King, when it comes to the paranormal, or the things that happen in the world that he creates, is because the characters that he writes are accessible.
In junior high I read a lot of Stephen King, whose Americana approach to writing was often about "the terror next door" and at the same time I was reading a lot of Clive Barker, who was on the other end of the horror pendulum: insidious and disturbingly psychological. I found it fascinating how these two authors came at horror from two totally different perspectives.
Stephen King writes mass fiction but gets reviewed by the New York Times and writes for the New Yorker. Critics say to me, "Shut up and enjoy your money," and I think, OK, I'll shut up and enjoy my money, but why does Stephen King get to enjoy his money and get reviewed on the cover of the New York Times Sunday Book Review?
Stephen King in many respects is a wonderful writer. He has made a contribution. People in the future will be able to pick up Stephen King's books and learn a lot about who we were by reading those books.
There's a bunch of Stephen King books I love. 'Salem's Lot' was always one of my favourites. 'It.' 'Needful Things.' Moving away from King, and 'Silence of the Lambs' is always a good choice.
I think that Chad Gray is one of the most honest, emotional, real vocalists there is; he really takes a lot of pride in writing the lyrics, takes a lot of time with them. He writes and re-writes more than just about anybody I've ever been around.
I read Stephen King as a junior high schooler. My father introduced me to Stephen King far too young, which I'm very grateful for now.
I am not like Stephen King, who writes one book, then writes another. I finish a book and go off and... look for wrecks. Then, six months later, I might start another book.
I think the big thing is that Stephen King is just a phenomenon, and when he came along, for the first time horror was suddenly considered a very commercial genre. It had always been around, of course, but now, the books had the word 'horror' actually printed on their spines.
Stephen King, by far, is the standard-bearer. I think anyone who writes suspense fiction and says that King isn't an influence is either lying or being foolish. I read his book 'On Writing' before I read pretty much any of his fiction.
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