A Quote by William H. Wharton

In addition to the dread of Indians, Texas held out no inducements for Mexican emigrants. — © William H. Wharton
In addition to the dread of Indians, Texas held out no inducements for Mexican emigrants.
I think most people assume if you're a Latino in Texas, you're Mexican. It's not really a problem, and I love so much about Mexican culture and the Mexican people.
I'm a terrific Mexican cook, and I just love Mexican food. And I love cooking Mexican food. That's pretty much my weakness...and barbecue beef...and Texas beef...and brisket. Any red meat I can get my hands on.
Out in the west Texas town of El Paso, I fell in love with a Mexican girl.
In Texas, if your name is Carlos, you're a Mexican. In Florida, you're a Cuban. In New York, you're a Puerto Rican. And I come here and I find out I'm an Eskimo.
I'm Mexican-American, but for a long time I was pushed out of any references to Mexican-American writers. It was easier to come out as a gay man than it was to come out as a Mexican-American.
We need to give out portrayal of ourselves. Every non-Indian writer writes about 1860 to 1890 pretty much, and there is no non-Indian writer that can write movies about contemporary Indians. Only Indians can. Indians are usually romanticized. Non-Indians are totally irrepsonsible with the appropriation of Indians, because any time tou have an Indian in a movie, it's political. They're not used as people, they're used as points.
A lot of my family is from Texas, stuff like that, so I was always in Texas, and when you grow up in Texas, around Texas, you want to go to the biggest Texas school, and UT was that.
Texas, to be respected, must be polite. Santa Anna, living, can be of incalculable benefit to Texas; Santa Anna, dead, would just be another dead Mexican.
Texas, to be respected must be polite. Santa Anna living, can be of incalculable benefit to Texas; Santa Anna dead, would just be another dead Mexican.
Well, we have a crisis along the Mexican border right now, a state of emergency as declared by a bipartisan group of Texas House members just last fall. You know, we've had almost 200,000 OTMs - the government categorizes OT 'other, other than Mexicans' - along the Mexican border.
I was stationed in Turkey, Mexico City, South America, Texas, Arizona, so I do know where the Mexican-U.S. border is.
A Pike, in the California dialect, is a native of Missouri, Arkansas, Northern Texas, or Southern Illinois. The first emigrants that came over the plains were from Pike County, Missouri; but as the phrase, 'a Pike County man,' was altogether too long for this short life of ours, it was soon abbreviated into 'a Pike.'
A regular council was held with the Indians, who had come in on their ponies, and speeches were made on both sides through an interpreter, quite in the described mode,--the Indians, as usual, having the advantage in point of truth and earnestness, and therefore of eloquence. The most prominent chief was named Little Crow. They were quite dissatisfied with the white man's treatment of them, and probably have reason to be so.
There is a heavy Mexican Catholic streak in my movies, and a huge Mexican sense of melodrama. Everything is overwrought, and there's a sense of acceptance of the fantastic in my films, which is innately Mexican. So when people ask, 'How can you define the Mexican-ness of your films?' I go, 'How can I not?' It's all I am.
First, take the government of the Indians out of politics; second, let the laws of the Indians be the same as those of the whites; third, give the Indian the ballot.
I don't go so far as to think that the only good Indians are dead Indians, but I believe nine out of ten are, and I shouldn't like to inquire too closely into the case of the tenth.
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