A Quote by William Hanna
The concept of the characters in animal skins and us satirizing modern technology made it fun. But the voices we cast and the characterization of Fred Flintstone had a lot to do with it.
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It's easy to take the shortcut and use animal skins. But I think animal skins look tired. They're not very innovative. They're old-fashioned. And great fashion should be something new.
I was a big Fred Flintstone fan.
The first meaningful friendship moment we had was when Ant sent me a Fred Flintstone Christmas card and it said, 'To Dec from Ant, have a yabba dabba do Christmas.'
It was an old cricket coach who started calling me Fred - as in Flintstone. There are far worse things to be called in the dressing room.
You can use the fun of the genre, but I also really wanted to come at it from the point of view of some really complex characterization. There was a lot that I wanted it to do, and I wanted it to be fun. It's fun, but it's not simple fun.
When you're writing a pilot, unless you already have an actor attached to the project, you're writing it with all the voices sort of in your head. Once you actually cast it, the actors become the voices of the characters, and you start to write for them and their strengths.
But when I realized it was actually going to be this portrait of the artist, birth to death, I had to then discover who Margaret as a young woman would be. I had to find the different voices for her throughout her life. I had a lot of fun discovering that. I had a lot of fun writing the childhood sections. By imagining her childhood, I was able to come up with this voice that matures as she gets older.
My father was a very fun dad. He was always coaching our soccer sports teams; he made sure that we had activities to do. He was kind of goofy and fun. But at the same time, he had a lot of lessons to teach us so that we didn't grow up and just not be good people.
I wouldn't do my roles if I really hated it. I've done things I hated, but I didn't go into them thinking I would hate them. I want to have fun. I don't want to go to work and not enjoy it. So if I'm swirling around on some wires, talking to Fred Flintstone, I make it the funnest I can. I also want to be good at it. I don't want to be a crap cartoon character. I want to be proud I'm a vitamin!
I hear that 5 o'clock whistle in my mind like Fred Flintstone and I have to stop. I'm also not much of a morning writer. I have a sweet spot from about 11am to 4pm. But I really work during that time.
It's dialogue that gives your cast their voices, and is crucial in defining their characters.
My father was a very fun dad; he was always coaching our soccer sports teams, he made sure that we had activities to do. He was kind of goofy and fun. But at the same time, he had a lot of lessons to teach us so that we didn't grow up and just not be good people. I try and reflect a lot on how I was raised by my father in the character that I'm playing now in being a dad. You've got to be strong for these kids. You also have to be fun and teach them all the lessons, not just one, or two, or three.
I had an amazing experience doing 'Skins.' It was the first acting I'd ever done in my entire life, so I had to learn on set for those two years. I had to keep my head screwed on and learn from the other cast.
But some great records are are being made with today's technology and there are still great artists among us. Likewise there are artists today who are so reliant on modern technology, they wouldn't have emerged when recording was more organic.
I'm a guy that wanted to have fun. When I look back at all the wins I had, I must have had a lot of fun playing the game and made people happy.
I think technology has changed America, not any one organization. Technology is taking the power away from the few. There'll be a lot more choices, and good people who are doing serious stuff will survive and there'll be a lot more voices, and that is very healthy.
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