A Quote by William Hanna
We work in vertical and horizontal planes. We avoid depth characteristics as much as possible. This reduces the number of pictures in a five minute segment from 12,000 to 1,200. And the public likes the technique better.
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A couple of websites I've come across credit the 'New York Times' for reporting that 12,000 women a year are arrested for breastfeeding in public. I could not confirm that number with a quick search, but even 1,200 would be too many - or even 12.
I had a moment where I had reached 200,000 followers. At the time, a lot of people would get to that number on YouTube, and they'd stop growing. I was really scared because I didn't want that to happen to me, so when I reached 200,000 subscribers, I was like, 'Eva, you have to do this. You have to work hard and push past this number.'
We live in an age where quantity is seen as preferable to quality, and many people tend to work in a horizontal line: next, next, next. But if you do that, you never investigate the vertical line - the depth of the piece.
Every camera shoots horizontal, right? So we're all super used to framing things with lots of horizontal room. We've seen this new wave of Snapchat stories and Instagram stories where people are actually framing for and recording in vertical. Whether it's better or not is debatable.
Time is the horizontal dimension of life, the surface layer of reality. Then there is the vertical dimension of depth, accessible only through the portal of the present moment.
You use the vertical edge as the point of reference, instead of the horizontal edge. I have a picture of a beggar, where there's an arm coming into the frame from the side. And the arm is parallel to the horizontal edge and it makes it work. It's all games, you know. But it keeps it interesting to do, to play.
When a novel has 200,000 words, then it is possible for the reader to experience 200,000 delights, and to turn back to the first page of the book and experience them all over again, perhaps more intensely.
Since the background is as important as the subject, you mustn't let it default by chance. You must control not only vertical and horizontal, you must be aware of the depth of field (or lack of it) that you want in the background.
It is possible that, through horizontal and vertical lines constructed with awareness, but not with calculation, led by high intuition, and brought to harmony and rhythm, these basic forms of beauty, supplemented if necessary by other direct lines or curves, can become a work of art, as strong as it is true.
You're not going to get a seven-star match or six or five in a seven-minute segment, but I always do the best I can to make that segment memorable and entertaining, and I think that's always the name of the game.
I don't really know what's going to happen 10,000 years from now. We've been biologically modern for, what, almost 200,000 years? Let's go back to the cave paintings: I think the moment that someone landed a charcoal on a wall to describe reality, that's language already - that happened on a vertical surface, which, even though they didn't build it, somehow we could understand it as architecture because there's a cavity that separates the inside and outside. That's 40,000 years in the past.
The number of people on whose cooperative efforts your eventual existence depends has risen to approximately 1,000,000,000,000,000,000, which is several thousand times the total number of people who have ever lived.
I work extremely hard, but I love every minute of it. Although I couldn't work as hard if I felt there was a ceiling on anything. I spent £125,000 on four pictures for the sleeves for 'Overpowered,' and I loved spending it! It was like making a little movie.
Dancing is a vertical interpretation of a horizontal intention.
No one likes having offended another person; hence everyone feels so much better if the other person doesn't show he's been offended. Nobody likes being confronted by a wounded spaniel. Remember that. It is much easier patiently - and tolerantly - to avoid the person you have injured than to approach him as a friend. You need courage for that.
It's what I like to call the horizontal Jesus. Vertical Jesus are the songs that say 'Lord I love you, Lord I praise you, Lord I thank you' and horizontal is 'I'm in a situation. This is the problem. How can I apply that now horizontally?' There are more problems in the world because he's not being applied horizontally.
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