A Quote by William Hanna

When we were at MGM, we never did much about merchandise tie-ups There were too many executives and lawyers to go through. — © William Hanna
When we were at MGM, we never did much about merchandise tie-ups There were too many executives and lawyers to go through.
Unlike some people who have experienced the loss of an animal, I did not believe, even for a moment, that I would never get another. I did know full well that there were just too many animals out there in need of homes for me to take what I have always regarded as the self-indulgent road of saying the heartbreak of the loss of an animal was too much ever to want to go through with it again. To me, such an admission brought up the far more powerful admission that all the wonderful times you had with your animal were not worth the unhappiness at the end.
I played a lawyer once, and I had about three or four weeks before we shot, so I was able to go to court and watch lawyers at work. Some were good lawyers and some were bad lawyers, but it was essential. The more time you have to prepare, the better. Always.
I practiced law for 10 years, and I always admired the lawyers who were not afraid to take unpopular cases. And I never had the guts to do that. I was playing it safe. I was trying to make a living. And I just never volunteered for a really tough case, and there were some of them I should've taken. And I admired the lawyers who did.
Not to get too deep, but I was brought up by these women who if you wanted to label them, maybe they were feminists, but you know what? They never asked for that or wanted it and they never got up on a soapbox and spoke about it, they just did it. They did their work, they did their jobs, they were who they were.
I was never an A student. I never really liked going to school like many of my friends. There were just too many students and too competitive. We were sort of forced into studying to go to college. It was like if we didn't go to college, society looked at us as failures. We didn't know what to do with the situation.
My film isn't about Vietnam. It is Vietnam. It's what it was really like. It was crazy. And the way we made it was very much like the way the Americans were in Vietnam. We were in the jungle, there were too many of us, we had access to too much money, too much equipment and little by little we went insane.
The local painters were my idols...These artists, too, were grown-ups, but they were grown-ups who could still see! Their eye was still in love! Like mine!
When I was starting, I was working with actors who came up through the rep system, and they understood the discipline required: you were never late for rehearsal, you were never not ready to go on, you were always prepared; it was about showing respect to the rest of the company.
When we were growing up and saw a Ray Harryhausen movie, we were interested in how it was done. But thank God we got to go through the magic of seeing it before we knew how it was done. You were able to get this beautiful, pure, visceral response to something without knowing too much about it.
All through first and second and third hour, Eleanor rubbed her palm. Nothing happened. How could it be possible that there were that many never ending all in one place? And were they always there, or did they just flip on wherever they felt like it? Because, if they were always there, how did she manage to turn doorknobs without fainting? Maybe this was why so many people said it felt better to drive a stick shift.
Whenever I did anything wrong, stupid or hard-hearted, and I have done many things that were all three, my mother always said "it is because you were too much indulged."
If you look back to the most spectacular blow ups in history, you can always tie them to a couple things: They were extraordinary complicated strategies that maybe even the practitioners themselves didn't understand, and they were overleveraged.
The little dog-eared books in the meeting-house proved poor reading ... So many of them were about unnaturally good children who never did wrong, and unnaturally bad children who never did right. At the end there was always the word MORAL, in big capital letters, as if the readers were supposed to be too blind to find it for themselves, and it had to be put directly across the path for them to stumble over.
And actually, about three weeks ago, Micky, Peter and I were in Vegas at the MGM Grand. And we did about 12 shows in seven days. It was quite an experience.
How did the Turks become Muslim? They became Muslim through the Sufis. The Arabs never conquered the Turks. There were people in early Islam who were speaking like Hallaj, who spoke about the Truth, about reaching the Truth, about being one with the Truth, and not only they were not killed, but they were great heroes of their own culture, and there is a university in Turkey named after one [Sufi Saint.]
If you go back to the Euro campaign in 1999, how many chief executives and chairmen of FTSE 100 companies were speaking out on this? I think two. Two out of 200 people. Did that represent the reality of what businesses in Britain thought about the Euro? Of course it didn't. Did it represent what CBI members thought? Of course it didn't.
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