A Quote by William Hazlitt

Language, if it throws a veil over our ideas, adds a softness and refinement to them, like that which the atmosphere gives to naked objects. — © William Hazlitt
Language, if it throws a veil over our ideas, adds a softness and refinement to them, like that which the atmosphere gives to naked objects.
A thinking that approaches it objects openly, rigorously ... is also free toward its objects in the sense that it refuses to have rules prescribed to it by organized knowledge. It ... rends the veil with which society conceals them, and perceives them anew.
Whenever education and refinement carry us away from the common people, they are growing towards selfishness, which is the monster evil of the world. That is true cultivation which gives us sympathy with every form of human life, and enables us to work most successfully for its advancement. Refinement that carries us away from our fellow people is not God's refinement.
We sift reality through screens composed of ideas . (And such ideas have their roots in older ideas.) Such idea systems are necessarily limited by language , by the ways we can describe them. That is to say: language cuts the grooves in which our thoughts move. If we seek new validity forms (other laws and other orders) we must step outside language.
The objects that are of moderate energy, like our sun or most of the stars that we see in the night sky with the naked eye, are objects in which relatively moderate energy processes are taking place.
Men of superior vivacity and wit, when they take a wrong turn, are generally worse than other men: because wit, consisting in a lively representation of ideas assembled together, gives every sensible object those heightening touches, and that striking imagery, which is unknown to men of slower apprehensions: wit being to sensible objects, what light is to bodies; it does not merely show them as they are in themselves: it gives an adventitious colour, which is not a property inherent in them: it lends them beauties which are not their own.
When the veil of death has been drawn between us and the objects of our regard, how quick-sighted do we become to their merits, and how bitterly do we remember words, or even looks, of unkindness which may have escaped in our intercourse with them.
Softness triumphs over hardness, feebleness over strength. What is more malleable is always superior over that which is immoveable. This is the principle of controlling things by going along with them, of mastery through adaptation.
Beyond the formative effects of reading on the individuals composing society, the fact that they have read the same books gives them experiences and ideas in common. These constitute a kind of shorthand of ideas which helps make communication quicker and more efficient. That is what we mean when we say figuratively of another person, We speak the same language.
Our beloved ones have not 'gone to a far country.' It is only the veil of sense that separates them from us, and even that veil grows thin when our thoughts reach out to them.
I don’t have a theoretical language for music. I’m really inspired by sculpture, so I like to say, ‘you’re not making music, you’re creating a space. You’re building a room, putting some objects in it, and seeing what happens to the objects over time.’
The acts of the mind, wherein it exerts its power over simple ideas, are chiefly these three: 1. Combining several simple ideas into one compound one, and thus all complex ideas are made. 2. The second is bringing two ideas, whether simple or complex, together, and setting them by one another so as to take a view of them at once, without uniting them into one, by which it gets all its ideas of relations. 3. The third is separating them from all other ideas that accompany them in their real existence: this is called abstraction, and thus all its general ideas are made.
It seems to me that the thing that makes the theater worthwhile is the fact that it attracts so many people with ideas who are constantly trying to share them with the public. Real art is illumination. It gives a man an idea he never had before or lights up ideas that were formless or only lurking in the shadows of his mind. It adds stature to life.
We switch to another language-- not our invented language or the language we've learned from our lives. As we walk further up the mountain, we speak the language of silence. This language gives us time to think and move. We can be here and elsewhere at the same time.
I earnestly wish to point out in what true dignity and human happiness consists. I wish to persuade women to endeavor to acquire strength, both of mind and body, and to convince them that the soft phrases, susceptibility of heart, delicacy of sentiment, and refinement of taste, are almost synonymous with epithets of weakness, and that those beings are only the objects of pity, and that kind of love which has been termed its sister, will soon become objects of contempt.
Knowing does not always allow us to prevent, but at least the things that we know, we hold them, if not in our hands, but at leastin our thoughts where we may dispose of them at our whim, which gives us the illusion of power over them.
The structure underlying the phenomena is not given by material objects like the atoms of Democritus but by the form that determines the material objects. The Ideas are more fundamental than the objects.
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