A Quote by William Hazlitt

The secret of the difficulties of those people who make a great deal of money, and yet are always in want of it, is this-they throw it away as soon as they get it on the first whim or extravagance that strikes them, and have nothing left to meet ordinary expenses or discharge old debts.
One of the freedoms you get if you earn a lot of money from a book is to throw away what you want. And if you throw a lot away, the good stuff always comes back; nothing is lost.
And here a most heinous charge is made, that the nation has been burdened with unnecessary expenses for the sole purpose of preventing the discharge of our debts and the abolition of taxes.
Many people came out and said, 'Boy I'd love to make a film that way.' Well, borrow some money, get some people together - you can get people to work for nothing, just treat them right, treat them as human beings, not stars, give them all an equal share, make them feel a part of what they're doing. There's no big secret to it.
You haven't learned life's lesson very well if you haven't noticed that you can give the tone or colour, or decide the reaction you want of people in advance. It's unbelievable simply. If you want them to take an interest in you, take an interest in them first. If you want to make them nervous, become nervous yourself...It's as simple as that. People will treat you as you treat them. It's no secret. Look about you. You can prove it with the next person you meet.
In Heaven, there are no debts - all have been paid, one way or another - but in Hell there's nothing but debts, and a great deal of payment is exacted, though you can't ever get all paid up. You have to pay, and pay, and keep on paying. So Hell is like an infernal maxed-out credit card that multiplies the charges endlessly.
I'm a power guy. Good fastball. A knuckle curve, which I can throw for strikes. A changeup which sinks down and away from lefties and I can also throw for strikes.
the best often die by their own hand just to get away, and those left behind can never quite understand why anybody would ever want to get away from them
If you haven't got an idea, start a story anyway. You can always throw it away, and maybe by the time you get to the fourth page you will have an idea, and you'll only have to throw away the first three pages.
'SNL' is one of those jobs where you are constantly reminded of how lucky you are and that you get to meet some of these people whose work you enjoy. Then you get to meet them, and they are just wonderful people. It turns out wonderfully, and you have a great conversation.
Every now and then, I'll meet an escapee, someone who has broken free of self-centeredness and lit out for the territory of compassion. You've met them, too, those people who seem to emit a steady stream of, for want of a better word, love-vibes. As soon as you come within range, you feel embraced, accepted for who you are. For those of us who suspect that you rarely get something for nothing, such geniality can be discomfiting. Yet it feels so good to be around them. They stand there, radiating photons of goodwill, and despite yourself you beam back, and the world, in a twinkling, changes.
We're always contradicting ourselves. We want people to tell us apart.... ...yet we don't want them to be able to. We want people to get to know us... ...but we also want them to keep their distance. We've always longed for someone to accept us... But we never believed there'd be anyone who would accept our twisted ways. That's why we'll stay locked up tight... ...in our own little private world... ...and throw away the key, so that no one can ever hurt us.
When you enchant people, your goal is not to make money from them or to get them to do what you want, but to fill them with great delight.
When I get into the moment of actually feeling like I want to write, to finish something, I do what I've always read authors do, and park myself at a desk and bang things out for three hours. And if I have to throw it all away, I throw it all away.
One of the difficulties about interviewing people in Rwanda is that the country is trying to get on with ordinary life and some people just don't want to get involved in this.
I just want to throw strikes. If I can't throw strikes, I'm worthless.
You know, people make a lot of money talking about me, don't they? They just get on those shows, and they talk away. There's nothing I can do. And that's one of the great lessons I try to convey in my book, which my mother implanted in me as a young girl.. Is you can either be an actor in your own life, or a reactor in somebody else's.
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