A Quote by William Hazlitt

Those who speak ill of the spiritual life, although they come and go by day, are like the smith's bellows: they take breath but are not alive. — © William Hazlitt
Those who speak ill of the spiritual life, although they come and go by day, are like the smith's bellows: they take breath but are not alive.
I'm a spiritual person, I'm an America, I'm a Jew, and all of those things influence every breath I take, everywhere I go.
As you see in a pair of bellows, there is a forced breath without life, so in those that are puffed up with the wind of ostentation, there may be charitable words without works.
We should keep silent about those in power; to speak well of them almost implies flattery; to speak ill of them while they are alive is dangerous, and when they are dead is cowardly.
And so everything I see in this world, it all moves backward and forward at the same time, like a black-smith's bellows, like everything in my press, turning into its opposite at the command of the red and green buttons, and that's what makes the world go round.
I believe that the Source from which we come is alive in us as our breath, and as we speak and sing and breathe, we release the beauty of the Creator into the world.
I always like it when I eat myself out of breath. That's a good boost to my day. You know, I'm eating, and I go, 'Oooohhh.' It's better a few moments later when you get to think about it, when you're like, 'Why did I just stop to take a deep breath? Oh yeah, my body also needs air.'
What is common to all paths that are spiritual is, of course, the Spirit-breath, life energy, that is why all true paths are essentially one path, because there is only one Spirit, one breath, one life, one energy in the universe. It belongs to none of us and all of us. We all share it. Spiritually does not make up otherworldly; it renders us more fully alive.
People who say not to speak ill of the dead are hypocrites, because you can take it ot the bank they're thinking ill.
In dialogue, make sure that your attributives do not awkwardly interrupt a spoken sentence. Place them where the breath would come naturally in speech-that is, where the speaker would pause for emphasis, or take a breath. The best test for locating an attributive is to speak the sentence aloud.
You want to fall, that's all. You think it can't go on like that. It's as if your life is a perch on the edge of a cliff and going forward seems impossible, not for a lack of will, but a lack of space. The possibility of another day stands in defiance of the laws of physics. And you can't go back. So you want to fall, let go, give up, but you can't. And every breath you take reminds you of that fact. So it goes.
Every day that we wake up is a good day. Every breath that we take is filled with hope for a better day. Every word that we speak is a chance to change what is bad into something good.
As we speak, that is what we are doing. Projects that come to you are not written for you. We have to take a lesson from Will Smith, who develops projects he can shine in. We're trying to develop things from the ground up.
It's like every day is the worst day of your life. And you're trapped and you're scared and you have to portray those emotions in every take and really take yourself to those places. (about her role as an abused wife in ENOUGH.
When I saw 'Independence Day,' I said, 'I want to be like Will Smith.' I want to do something like that. If he can do it, maybe one day I can come close to a set like that.
One breath at a time. One day at a time. Wake up, and be shredded. Cry for a while. Then stop crying and go about your day. You're not okay, but you're alive, and you will be okay, someday.
Do not criticize any other martial arts or speak ill of others, as it will surely come back to you. The mountain does not laugh at the river because it is lowly, nor does the river speak ill of the mountain because it can not move.
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