A Quote by William Hurt

I want to prove a point. That point is, actors are artists, not narcissists necessarily. — © William Hurt
I want to prove a point. That point is, actors are artists, not narcissists necessarily.
I think artists are going to express things from an emotional point of view, that's their job, to suggest and interpret, and report what they witness. That's their job as artists, you're looking for the rub, where's the rub, you're a storyteller, you're looking for the rub, not necessarily the solutions, or you're not necessarily educated, you're not the winner of a debate contest, a national debate contest, you're not necessarily a person who has a doctorate in anything.
?When you point your finger at someone, anyone, it is often a moment of judgement. We point our fingers when we want to scold someone, point out what they have done wrong. But each time we point, we simultaneously point three fingers back at ourselves.
I've always been a big proponent of point of view in cinema. Not necessarily that the point of view has to be subjective, but that in all great films the point of view has been taken into account and established.
The point of an experiment is not to arrive at a predetermined end point, to prove or disprove anything, but to deliver a poem that reveals much about the process taken.
I'm a natural piano player. So all the practicing I do at this point is in my head. If I don't play for a year, my chops aren't going to get any worse. I've spent my time playing scales, and I don't necessarily want to play any faster than I play. So everything I do at this point is more philosophical.
People are very uncomfortable when you call actors artists because there are a lot of actors out there that aren't artists - there are a lot of actors that are hired for very specific reasons that are shallow and have to do with sexual currency and what the industry thinks sells. Real actors are artists, they're expressionists.
I just want to prove my point that I'm one of the best safeties in this league.
Bypasses are devices that allow some people to dash from point A to point B very fast while other people dash from point B to point A very fast. People living at point C, being a point directly in between, are often given to wonder what's so great about point A that so many people from point B are so keen to get there and what's so great about point B that so many people from point A are so keen to get there. They often wish that people would just once and for all work out where the hell they wanted to be.
Writers don't want to appear to be stupid. I don't know - maybe people become writers so that they can prove that they're not. Of course getting a book published doesn't mean that they're not stupid. At a certain point you have to stop trying to prove something and write because you need to think about something and want to communicate, in a very broad sense.
Before I was a Discordian, I took life much too seriously. When you take life too seriously you start to wonder what the point of it all is. When you wonder what the point is in life, you fall into a trap of thinking there is one. When you think there is a point, you finally realize there is no point. And what point is there in living like that? Nowadays I skip the search for a point and find, instead, the punch lines.
It's the nature of a human that when you get neglected somewhere, you want to go back and prove a point.
Winning is fun... Sure. But winning is not the point. Wanting to win is the point. Not giving up is the point. Never letting up is the point. Never being satisfied with what you've done is the point.
There are some actors that are great stars and storytellers, but not necessarily good actors. I'm talking about some - not all - of the people you see in action flms or blockbusters. They're film stars, though not necessarily great actors. And there are those who are great actors, but not necessarily big film stars. Jim Sturgess is both. He's quite obviously a star, the audience likes him, he's a great storyteller and he turned out to be one of the greatest actors I've worked with as well.
I think it's the same for everyone in any walk of life - if people put you down, you want to prove a point.
Most scripts are written to be green lit. They're not written to be acted. And a lot of writers with the greatest intention in the world don't write for actors. They don't understand the architecture of what an actor needs to get from point A to point B.
A lot of artists are such narcissists.
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