A Quote by William Hurt
I've made a couple of films that were a little too wide and non-specific - like 'The Doctor.'
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Language is so specific to art, all the way to the past in China. Previously, people were not allowed to include various regional dialects in their films, but in every film that I've made, I've maintained the regional dialects of the characters because I wanted to make films that were locally specific.
Having a couple of films that were successful internationally has made the film community aware of the films coming out of Greece.
My film isn't about Vietnam. It is Vietnam. It's what it was really like. It was crazy. And the way we made it was very much like the way the Americans were in Vietnam. We were in the jungle, there were too many of us, we had access to too much money, too much equipment and little by little we went insane.
I like superhero films, and I love Star Wars movies, but I want to make sure there's a wide diaspora of films getting made.
If we were made to watch a doctor pull off the little baby's legs and arms one by one and place them on the table like a dentist removing cotton from your mouth - if all Americans were made to see what it really is, the pro-life goal of abortion being unthinkable (not just illegal) would be much nearer.
My dad's a doctor. So when we were little, at our family Christmases, we'd always have a couple of his elderly patients over for lunch.
I understood why films were made, and if they made a lot of money, they were successful. All of these things I knew. As a ten-year-old boy, I didn't really think a lot about finances or celebrity. I always viewed films as kind of what I imagined a summer camp to be like.
I made films with my brothers and my cousins and if any of the films ever come to fruition my career will be in ruins because the acting, writing, and directing is so unbelievably, heinously bad. We once screened one for my grandfather, this film that we had painstakingly made over a couple of days when we were all 10 years old, and he sat there and he said, "This is the worst film I've ever seen." No sympathy whatsoever.
I really respect people who, while they only do films, they have a wide repertoire and a wide thematic array of films they do.
I loved films like 'When Harry Met Sally' and 'Annie Hall,' but these were very specific, white Manhattan experiences. You don't see a single person of color anywhere, but somehow these films are universal. As a filmmaker and creator, I was frustrated with that idea.
I had decided against religion a couple of years back. If it were true, it made fools out of people, or it drew fools. And if it weren't true, the fools were all the more foolish. What I need is a good doctor, I thought. You either lived or died.
In Boston, a couple of the women were students and they mentioned how Boston has a huge student population, and that's specific to their experiences of street harassment. They feel like the men were a lot more aggressive, particularly when it comes to social outings and things like that.
I don't really have a specific Olympic crush. There were a couple of guys during the Olympics in Sochi that were super fit. And during the summer games, any of the sports where people have their shirts off if they're diving or swimming or whatever, it's like eye candy.
I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
I enjoy making films. I have made all kinds of films, including action films, romantic films, period films like 'Kala Pani.'
Like sex, poverty and power, suicide may always be with us. But like them again, the actual form is takes is essentially time-specific and culture-bound, not only in the past but in the present too. The people who took their lives, the paths which led them to that end, and the experience of dying in this way were deeply influenced by specific historical circumstances. Only by making a greater effort at historical understanding can this most secret house of death be made to yield up more of its confidences.
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