A Quote by William Hurt

Woody Allen asked me to improv once. I said no. — © William Hurt
Woody Allen asked me to improv once. I said no.
What if Woody Allen called me and said, I'm working on this movie and there's a really divine role for you. We want exactly you! It would be such a fantasy. Forget it! My idol, Woody Allen!
I think Woody Allen is Woody Allen, and no matter where he goes he still makes his Woody Allen films.
[In] 2010, Woody Allen said that he felt Barack Obama should be a dictator so that he could get things done, and the first thing obviously that Woody Allen wanted done is to make it legal to have sex with stepdaughters.
Woody Allen, that was a dream come true, although I never really talked to him. Auditioning was fun, because you don't really hear much about the script. They just said, "They want a Woody Allen type," so of course I got the call.
Woody Allen is kind of the one example I don't have. Because the way he works and the amount of shooting time that I did on that film, I didn't really get to know him, so he kind of stays as "Woody Allen" to me.
I'm a writer and director, and the movie I've seen a million times is 'Stardust Memories' by Woody Allen, starring Woody Allen and Charlotte Rampling.
It was kind of scary because working with Woody Allen becomes sort of a big deal in your mind. He directs in that Woody Allen character some of the time - he has these idiosyncrasies that are really charming and funny.
I loved Woody Allen's short pieces. I was equally influenced by Woody Allen and Norman Mailer. I was very into this idea of being high-low, of being serious and intellectual but also making really broad jokes.
You never in a million years thought that you would ever end up in a Woody Allen film even though that might be your dream, and there you are. Suddenly you've got one. But you're not playing the quintessential Woody Allen heroine, which is somebody that's full of self-doubt and heartbreakingly naïve. Chloe in Match Point was a nightmare in some ways and totally entitled, and felt like everything was going to be all right. Most of the women in Woody Allen films feel like everything's awful. I didn't understand what to do. But some of the confusion is helpful.
I remember calling and asking, because I had a few lines that were like, "How could the character have done this?" and I hadn't read the part of the script that said what she [ Cate Blanchett] did, so they put me on the phone with Woody... Allen. I don't know if I could really say "Woody."
I actually had some funny dialogue [ in Stardust Memories], a little piece, and we shot all day in this big ballroom. Gordon Willis was the director of photography, and at the end of the day, Gordon turned to Woody Allen and said, "We cannot accomplish all of this in this space. It's impossible." And we'd been rehearsing and trying to shoot this thing all day. So Woody said, "Okay, let's do something else." He looked at me and said, "Come back tomorrow, I'll put you in something else." And he did.
From the onset of the 'Live-Read' series, we wanted to hit all the major writers and Woody Allen is simply one of the greatest screenwriters of all time. He has ability to match pathos and comedy and drama and then turn it all on a dime. If you're going to make a series based on dialogue, you can't find much better than Woody Allen.
The way Woody Allen directs, there isn't a lot of direction. He kind of might give a few gentle suggestions, but he really says right from the first day, "Just make it sound natural, and if you don't like something, put it in your own words." And [Woody Allen] gives you a lot of freedom and just very polite.
Once I made a boyfriend dress up as Woody Allen from 'Annie Hall.'
I would die if Woody Allen ever called and said, 'Emma, I have a role for you.'
It took me little more than two years to complete my film, 'Woody Allen: A Documentary.' I conducted hours of filmed interviews with Woody, who put forward no ground rules about questions I could ask, or topics to avoid.
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