A Quote by William J. Clinton

She got to go to heaven four days early. — © William J. Clinton
She got to go to heaven four days early.
Noting his mother's visit to Las Vegas the weekend before she died. She got to go to heaven four days early.
I had a headache for four days after the first Haye fight. I didn't tell anyone, I just went to bed and thought it would go. But for four days it remained. Then I got my brain scan before the second fight, and I was worried when I went for it.
She still had her bad days, no question, when the black dog of depression sniffed her out and settled its crushing weight on her chest and breathed its pungent dog breath in her face. On those days she called in sick to the IT shop where, most days, she untangled tangled networks for a song. On those days she pulled down the shades and ran dark for twelve or twenty-four or seventy-two hours, however long it took for the black dog to go on home to its dark master.
There were a lot of missteps in the early days, but because we got in early we got to make more mistakes than other people.
I've got anxiety and I don't sleep so I've been trying to balance this insomnia where I stay awake for three or four days and you don't want to really leave the house and stuff and you've got to go out and do a gig.
I run about four to five miles, three days a week. I have four young children, so pretty much the only time I can get away is real early in the morning.
Hannah Storm in a horrifying, horrifying outfit today. She's got on red go-go boots and a catholic school plaid skirt ... way too short for somebody in her 40s or maybe early 50s by now...She's got on her typically very, very tight shirt. She looks like she has sausage casing wrapping around her upper body ... I know she's very good, and I'm not supposed to be critical of ESPN people, so I won't ... but Hannah Storm ... come on now! Stop! What are you doing? ... She's what I would call a Holden Caulfield fantasy at this point.
I am early in my story, but I believe I will stretch out into eternity, and in heaven I will reflect upon these early days, these days when it seemed God was down a dirt road, walking toward me. Years ago He was a swinging speck in the distance; now He is close enough I can hear His singing. Soon I will see the lines on His face.
My earlier days were all about playing, writing songs and producing songs. In the early 90's my former wife, Marylata Elton, got tapped to run the music department for DreamWorks. She worked right under Hans Zimmer during the heady days of Prince of Egypt, Shrek, Chicken Run, Gladiator just to name a few. She was and still is, one of the great music executives and has quite a career path of her own.
To breed a winner, let alone at Royal Ascot, is unbelievable. I've got four children and they all love the mother. We pat it most days and she's a lovely mare.
And now she was back in the world, not one she could make, but the one that had made her, and she felt herself shrinking under the early evening sky. She was weary of being outdoors, but she was not ready to go in. Was that really all there was in life, indoors or out? Wasn't there somewhere else for people to go?
As I stood outside in Cow Lane, it occurred to me that Heaven must be a place where the library is open twenty-four hours a day, seven days a week. No ... eight days a week.
Immediately after the September 11th attacks, I volunteered to go to Afghanistan in any capacity that the CIA wanted me. Four months passed before I was able to go overseas, just because my skill set was not one that was important in those really early days after the attacks.
If you go back to the early days of aviation, the guys designing it built it, and then they got in it and flew it. I mean, who does that anymore?
Mum was in her early 50s when she had four strokes in quick succession that almost took her off. I'd just come down from Cambridge with a rubbish degree. I spent a year reading to her - her eyesight was badly affected - and making sure she got proper rest. It was a special time but very intense, too.
TV is designed a certain way where you have three, four days on stage and three or four days out. You're basically making a feature every seven days. You have to shoot an hour's worth.
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