A Quote by William J. Clinton
I'm pretty good at seeing like a lot of different things happening at once and putting them in a pattern and figuring out how you can rearrange it so it might have a better outcome.
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I liked the challenge of designing and building things, figuring out how something works and how to make it better or apply it in a different way.
I'm definitely feeling whatever's going on pretty hard. It's like playing Barbies. You're holding the Barbies, but all of the action is happening inside of your head. You might be holding them or even speaking out loud, but really, all of the animation is internal. That's sort of how I feel about my writing. And then the really awful thing is that at the end of the day after crying and experiencing things, then you look at what you've written and you're like, "Hmm, there's half a page that's good here." Then you throw out everything else.
I'm just a music fan. I like pretty much all types of music, and I feel like I can get something out of everything. It just makes work a lot more fun whenever you're working on different things all the times and usually once I work with a band I usually will want to work with them again, just because we become good friends.
It's strange to play outdoors, especially in the daytime. But we're figuring it out. The rules are different for festival shows - how you talk to the crowd, how you can try to get them involved. Things are just a little different, and I think we've learned to adapt our show.
I get up in the morning, look around, arrange and rearrange things, and imagine how I might like them to look. Why doesn't everybody?
All of my plays have puzzled some people, and I'm happy to say delighted a few, but a lot of people have just not seen how quite to look at them. And this film... if you like my writing, you'll like this film. If you don't, you won't like the film. It's pretty faithful to - it's a pretty uncompromising presentation of my way of seeing things, I suppose.
I grew up with a lot of friends that had a lot of abilities to do a lot of different things and chose different routes and it wasn't a great outcome for them.
I'm just a music fan. I like pretty much all types of music, and I feel like I can get something out of everything. It just makes work a lot more fun whenever you're working on different things all the times and usually once I work with a band I usually will want to work with them again, just because we become good friends. That sometimes is the only bad thing, is that I work with bands that I already know. That's not really the best thing in the world because I should always be keeping my eyes out on other things.
When we lay something out and the talent goes out there, I'm part of the creative process of helping putting things together maybe putting things in different places. When they go out there and execute it even better than I have it imagined in my head, it is just a great feeling.
Growth comes through analogy; through seeing how things connect, rather than only seeing how they might be different.
My books depend on someone in danger, putting pieces together and figuring things out. They do a lot of thinking, and that gets lost in the movie.
If I wasn't a writer, I would probably be a watchmaker. I like putting puzzles together, and that is what a watch is, figuring out how all the gears and everything else works together. I'm patient and good at focusing on a single task.
That is the biggest part I like about the game, the camaraderie. Just seeing how it translates on the field, a lot of those guys helped me out throughout my process and just seeing them and being out there with them is definitely a blessing.
A lot of me figuring out how to love myself more involves finding the things that I'm ashamed of and looking them right in the eye.
I think everyone deals with things in their own way. Everybody's different. My family are all different. None of us are the same. We all deal with different things in different ways. I think it's about knowing yourself, what pushes your buttons, and figuring out how to work with yourself.
I'm pretty critical, but I'm also pretty good at letting go once it's done. There's this existential argument that comes in, at some point, when you're over-thinking the songwriting process. There's no guarantee that the more time you spend or the more you concentrate on certain aspects that that's going to produce a better result, especially in the arts. Some of the most brilliant things that someone might do could happen in three minutes because it's something that just occurs to them.
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