A Quote by William J. Clinton
No one who has lived through the second half of the 20th century could possibly be blind to the enormous impact of exchange programs on the future of countries.
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From Nato to the U.N. and the E.U., the generation that lived through the first half of the 20th century knew they needed to create a new world order. An order with rules and institutions which, however imperfect, could act both as constraints on individual countries going rogue and as catalysts for co-operation for mutual benefit.
D-Day represents the greatest achievement of the american people and system in the 20th century. It was the pivot point of the 20th century. It was the day on which the decision was made as to who was going to rule in this world in the second half of the 20th century. Is it going to be Nazism, is it going to be communism, or are the democracies going to prevail?
Few living figures could contribute as much as Castro to our understanding of the second half of the 20th century.
Something I always wanted to do, to capture that later half of the '70s. It's like the early half of the '70s is still the '60s, in that there's still kind of a playfulness and inventiveness in terms of design and the things that were going on in the culture. The second half, it got much more commodified. It's possibly the ugliest era of architecture and clothes and design in the entire 20th century, from 1975 to '81 or '82.
If we're to have a future in the 21st century, we'll want to be able to say, "Now what was the 20th century like in the United States of America, the most powerful of all countries of that century? What was it like to be an ordinary person?"
In the first half of the 20th Century, we lived through human disasters on a scale unimaginable. The Holocaust was once suggested would be the end of not only civilization, but art, too.
The different American experience of the 20th Century is crucial because the lesson of the century for Europe, which essentially is that the human condition is tragic, led it to have a build a welfare system and a set of laws and social arrangements that are more prophylactic than idealistic. It's not about building perfect futures; it's about preventing terrible pasts. I think that is something that Europeans in the second half of the 20th century knew in their bones and Americans never did, and it's one of the big differences between the two Western cultures.
I don't think he'd [Andy Warhol] be that amazed because he was so driven to be the Picasso of the second half of the 20th century.
I still believe nonfiction is the most important literature to come out of the second half of the 20th century.
Pretty much anything you laughed at in the second half of the 20th century can be traced back to Your Show Of Shows.
One layer was certainly 17th century. The 18th century in him is obvious. There was the 19th century, and a large slice, of course, of the 20th century; and another, curious layer which may possibly have been the 21st.
It appears that the present-day form of African American English is not the inheritance of the period of slavery, but the creation of the second half of the 20th century.
Until the Left took over American public education in the second half of the 20th century, it was generally excellent - look at the high level of eighth-grade exams from early in the 20th century and you will weep. The more money the Left has gotten for education - America now spends more per student than any country in the world - the worse the academic results. And the Left has removed God and dress codes from schools - with socially disastrous results.
A theme that appears repeatedly in the writings of the social critics of the second half of the 20th century is the sense of purposelessness that afflicts many people in modern society.
[on the screenplay for "When Harry Met Sally"] It struck me that the movies had spent more than half a century saying, "They lived happily ever after" and the following quarter century warning that they'll be lucky to make it through the weekend. Possibly now we are now entering a third era in which the movies will be sounding a note of cautious optimism: You know, it just might work.
America is the big subject of the second half of the 20th century, tackled in one form or another by all the great American male writers. You could make a case for saying that it was the only game in town - from Bellow to Roth to Updike to Richard Ford - America was more or less explicitly the leitmotif.
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