A Quote by William J. Clinton

I'm someone who had a deep emotional attachment to 'Starsky and Hutch.' — © William J. Clinton
I'm someone who had a deep emotional attachment to 'Starsky and Hutch.'
The cliches are that it's the most generic Starsky and Hutch plot you can find.
Our reward for Starsky and Hutch was getting to write The Six Million Dollar Man for Todd.
I'd been brought up on... American TV: 'Lou Grant,' 'Starsky & Hutch;' 'Gilligan's Island.'
I grew up with an Apple 2E - I had a deep, emotional attachment to that machine - and I loved doodling.
I loved television. 'Starsky and Hutch' was my show. 'SWAT.' Both Aaron Spelling shows. Loved 'em.
Tina Fey and I have 15 things in development: 'Laverne and Shirley', 'Starsky and Hutch 3', 'Cagney and Lacey', 'Wonder Twins Activate From Two Hot Broads', 'Little House on the Prairie: The Musical: The Movie'.
My house is a bit like a teenager's bedroom. The kind of pictures you have hanging up on your wall say a lot about you. I've got ones of Evel Knievel, Elvis and Starsky and Hutch, signed by David Soul.
I've always wanted to play a detective. Always loved detective shows, right back to 'Columbo', 'The Rockford Files', 'Starsky & Hutch'.
I'm ashamed to say this, but I watched every episode of 'Starsky and Hutch' as a kid. I loved that show, but now I think it's stupid - they'd have a car chase for no reason, then Paul Michael Glaser would shoot the car and it would blow up.
I was deeply in love with David Soul from 'Starsky & Hutch' when I was 11 or 12. I used to borrow my mum's peach nighty and put some lipstick on and say I was going on a date with him. I made this little purse and would carry a picture of him in it and say he was my boyfriend.
On 'Old School,' I was not an actor, I was Snoop Dogg, so I came to the set with a whole different vibe, and a different crew of people. And on 'Starsky and Hutch,' I was more of an actor. I wasn't Snoop Dogg, the rapper.
I watched American TV shows: Starsky & Hutch, Dallas, Rockford Files, Bonanza. And for many summers growing up, I worked on my aunt and uncle's farm in East Anglia. Down the street was an American cemetery for the Second World War, and every Memorial Day an American bomber would fly over that cemetery and drop rose petals.
(He was) a fragile hero to whom we had an emotional attachment so strong and lasting that it defied logic.
If you look carefully you will see that there is one thing and only one thing that causes unhappiness. The name of that thing is attachment. What is an attachment? An emotional state of clinging caused by the belief that without some particular thing or some person you cannot be happy.
Just seeing the fact that this is an attachment, that attachment is a bondage - a beautiful word for bondage - that attachment is not love... just seeing the ugliness of attachment - it drops; then arises love. The same energy that was becoming attachment, released from attachment becomes a totally different energy; it becomes love.
'Control' had to do with my own life a lot, and that's why that seemed to be a film I could be the director of, because I had an emotional attachment to the whole story. And because of that experience, I feel that I can try other films. I didn't set out to become a director.
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