A Quote by William James
The absolute things, the last things, the overlapping things, are the truly philosophic concerns; all superior minds feel seriously about them, and the mind with the shortest views is simply the mind of the more shallow man.
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The superior man does not mind being in office; all he minds about is whether he has qualities that entitle him to office. He does not mind failing to get recognition; he is too busy doing the things that entitle him to recognition.
There is a conception in this country about luxurious things that we have to save them for a time that's right. But an object is truly luxurious if you allow it to be, if you use it. When you live with beautiful things you stimulate your mind, you enjoy life a little bit more.
The more gratefully we fix our minds on the Supreme when good things come to us, the more good things we will receive, and the more rapidly they will come; and the reason simply is that the mental attitude of gratitude draws the mind into closer touch with the source from which the blessings come.
I was a hacker of sorts. Not a mind 'reader,' exactly; more a mind 'radar,' in tune with the workings of the aether. I could sense the nuances of dreamscapes and rogue spirits. Things outside myself. Things the average voyant wouldn't feel.
The inexplicable happens all the time. It makes more sense to simply accept things we observe but cannot understand. It is really more scientific to keep an open mind. Until we can understand and explain the things we now label miracles, let us accept them and try to create more of them.
What you call the psychic being is the mind of the vital. The heart is the seat of this mind. And this mind is the essence of the senses. It receives things from outside, acts upon things that are outside - knows, gives consent, takes interest in them. But this mind cannot be the Ishwara, but it is the knower, the giver of the consent.
I think seeing is about truly looking, observing, and taking things in with an open mind. It's easy to see things at face value but some of the most beautiful things are not apparent at first glance. The works that stick with me and that I find to be most beautiful are often not aesthetically inviting right off the bat. So I think having an open mind and allowing the lines to blur between art, music, fashion, food, what have you, all leads to cultivating a much more open and enjoyable aesthetic sensibility.
It isn't a hunch but the subconscious mind, which is the creative mind, at work. That is the mind which makes artists do things without their knowing how they came to do them. Perhaps with me it was the cumulative effect of a lot of little things individually insignificant but collectively powerful.
We must hold fast to the austere but true doctrine as to what really governs politics and saves or destroys states. Having in mind things true, things elevated, things just, things pure, things amiable, things of good report; having these in mind, studying and loving these, is what saves states.
The more you think of harmony, of health, of success, of happiness, of things that are desirable, of things that are beautiful, of things that have true worth, the more the mind will tend to build all those things in yourself, provided, of course, that all such thinking is subjective.
Changing your mind is probably one of the most beautiful things people can do. And I've changed my mind about a lot of things over the years.
If you can observe your own experience with a minimum of interference, and if you don't try to control what you experience, if you simply allow things to happen and you observe them, then you will be able to discover things about yourself that you did not know before. You can discover little pieces of the inner structures of your mind, the very things that make you who you are.
Some things lend themselves well to songs, some things don't, and I'm learning that a lot at the moment. It's still a relatively new way of writing. It's only really the last five to 10 years that I've taken my writing seriously in this way, as something I can keep working toward. I think I feel myself much more before as simply a songwriter.
I work on two levels. I occupy my conscious mind with things to do, lines to draw, movements to organize, rhythms to invent. In fact, I keep myself occupied. But that allows other things to happen which I'm not controlling... the more I exercise my conscious mind, the more open the other things may find that they can come through.
I do think it's important to distinguish between intentionalism about consciousness and externalism about consciousness. Intentionalism says that consciousness is a form of intentionality - the representation of things to the mind. Externalism says that these things have to exist in order for them to be represented, or presented. These are different views.
I know my beliefs. I know where I stand on issues and concerns, and I feel that there is the right platform to tackle those concerns. And if you're lucky enough to have a voice on something you have knowledge, then speak your mind, but only really for things for which you have an input.
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