A Quote by William James

The lunatic's visions of horror are all drawn from the material of daily fact. — © William James
The lunatic's visions of horror are all drawn from the material of daily fact.
The lunatic's visions of horror are all drawn from the material of daily fact. Our civilization is founded on the shambles, and every individual existence goes out in a lonely spasm of helpless agony.
Perhaps a lunatic was simply a minority of one. At one time it had been a sign of madness to believe that the Earth goes round the Sun; today, to believe the past is inalterable. He might be alone in holding that belief, and if alone, then a lunatic. But the thought of being a lunatic did not greatly trouble him; the horror was that he might also be wrong.
I've been asked countless times, 'Why are you drawn to horror films? Why do you think women are drawn to horror films?' And it's because, in a way, it's one of the few genres that tells it like it is. A lot of times, women do feel like they're running for their lives somehow.
The realities of the world affected me as visions, and as visions only, while the wild ideas of the land of dreams became, in turn,—not the material of my every-day existence--but in very deed that existence utterly and solely in itself.
For more than three years, I'd been part of a complex and frustrating dance as my nonfiction, fact-based material was translated from book to movie by scriptwriters whose visions, goals and sensibilities often were quite different from mine.
You sometimes find something good in the lunatic fringe. In fact, we have got as part of our social and economic government today a whole lot of things which in my boyhood were considered lunatic fringe, and yet they are now part of everyday life.
But the thought of being a lunatic did not greatly trouble him; the horror was that he might also be wrong.
I have been trying to make the reader believe that we actually are, at present, creatures whose character must be, in some respects, a horror to God, as it is, when we really see it, a horror to ourselves. This I believe to be a fact: and I notice that the holier a man is, the more fully he is aware of that fact.
If and when a horror turns up you will then be given Grace to help you. I don't think one is usually given it in advance. "Give us our daily bread" (not an annuity for life) applies to spiritual gifts too; the little daily support for the daily trial. Life has to be taken day by day and hour by hour.
When I say 'publishing is the new literacy,' I don't mean there's no role for curation, for improving material, for editing material, for fact-checking material. I mean literally, the act of putting something out in public used to be reserved in the same way.
I look for material that both interest me and challenges me. If I am drawn to the material and I have to work hard at it, the characters and the plots reflect the hours and hours of research.
I definitely gravitate towards quality genre projects and genre of any kind whether it's science fiction, horror or really anything. I'm just drawn to quality. I don't think 'Darkness Falls' is horror; there isn't any gore by any stretch of the imagination.
That was like the moment of revelation for me that in fact we are not the lunatic fringe.
I'm a fan of short horror fiction... in fact, the most memorable horror I've read is of the short variety... but I have a hard time pulling it off myself.
In fact, I am a pessimist. But when I'm making a film, I don't want to transfer my pessimism onto children. I keep it at bay. I don't believe that adults should impose their vision of the world on children, children are very much capable of forming their own visions. There's no need to force our own visions onto them.
I feel like most horror films are made for teenagers about teenagers. I've done a couple of those horror films. There's nothing wrong with that but the older I get the more I starve for more adult material.
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