A Quote by William James

Footnotes -- little dogs yapping at the heels of the text — © William James
Footnotes -- little dogs yapping at the heels of the text
Sometimes it seems like there's more footnotes than text. This isn't something we're proud of, and over time we'd like to see our footnotes steadily shrink.
I like dogs Big dogs Little dogs Fat dogs Doggy dogs Old dogs Puppy dogs I like dogs A dog that is barking over the hill A dog that is dreaming very still A dog that is running wherever he will I like dogs.
The person sending ironic text messages has no idea that their voice does not sound so great in text. There's no dry sense of humor in a text. It comes off as a little bit shitty.
There are books in which the footnotes, or the comments scrawled by some reader's hand in the margin, are more interesting than the text. The world is one of those books.
With Orff it is text, text, text - the music always subordinate. Not so with me. In 'Magnificat,' the text is important, but in some places I'm writing just music and not caring about text. Sometimes I'm using extremely complicated polyphony where the text is completely buried. So no, I am not another Orff, and I'm not primitive.
I love dogs. I grew up with dogs in my family from the time that I was a little boy; we always had German Shepherds and Labradors. I get on very well with dogs, they trust me.
If I may bend your ear for a moment, I like Terry Pratchett. I like footnotes. I like footnotes even when they are not as entertaining as a Pratchett footnote, even when they are in the middle of a book on evolutionary biology and briefly explain the Red Queen hypothesis or the fate of the Stephen's Island Wren or how many bunnies can dance on the back of Australia. Footnotes fill me with a very mild glee. The endnote simply does not compare.
Colin [Farrell] I talked to several times on the phone, and I said, remember, we have only twenty-five days of doing the movie [Miss Julie], so you must know some of your text. I was a little un-feminist, I didn't want to say [bossy voice] "learn your text!" But when he came, he knew all his text.
Every year, back comes Spring, with nasty little birds yapping their fool heads off and the ground all mucked up with plants.
A lot of times in parks the large dogs and little dogs separate. That creates the opposite of social. Sometimes dogs run back in forth with a fence dividing them so it is fence fighting with social interaction.
Whether you're Godard or Almodovar or Scorsese, it's text, text, text. Everything begins with the text, and this is a source of great anguish to me. So please let cinema get on with doing what it does best, which is expressing ideas in visual terms.
Endnotes, often confused with footnotes that live at the bottom of a page, is that lump of text at the end of the book, sometimes even relegated to a tiny font size. They're often forgotten but, in nonfiction, particularly history books, can offer a fascinating footprint into the author's research, a joyful, geeky abyss.
Little dogs bite more than big dogs but they get away with it.
What does it matter if a few barking dogs snap at the heels of the weary travelers? ... The caravan moves on
Never use dogs to symbolize anything. That is ridiculous. Always ensure that any dogs are just dogs; i.e., characters in the story who happen to be dogs.
When I say "dogs", I'm talking about dogs, which are large, bounding, salivating animals, usually with bad breath. I am not talking about those little squeaky things you can hold on your lap and carry around. Zoologically speaking, these are not dogs at all; they are members of the pillow family.
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