A Quote by William Jay Smith

I always had good recognition from the Southern writers, but the publishers never took any notice of that. — © William Jay Smith
I always had good recognition from the Southern writers, but the publishers never took any notice of that.
I've had good publishers and bad publishers, and you've got to learn when the advice is sensible and when it's not.
I've had battles with writers who live in L.A. and were writing southern characters, because they felt like if they wrote 'Sugar' and 'Honey' at the end of every sentence, that would make it southern.
I got signed with the songwriting deal when I was sixteen and they were really great - my publishers, who to this day are still my publishers and are like my musical family, my second family - they took me in and taught me what a good song is.
Some men of the line regiment who had appeared on our right started running back. I shouted out to them to halt, but they took no notice. I pulled out my revolver and very nearly shot at them, but I thought it wouldn't do any good, as they all had their backs to me so would have thought that anyone hit was hit by a German bullet. If I ran after them my men might think I was running away. So I took my men on!
Writers keep writing and publishers publishing - it never grows boring.
Writers are always a great nuisance to publishers. If they could do without them, they would.
We've had the facial recognition technology out for use for over two-and-a-half years now, and in those two-and-a-half years, we've never had any reported misuse of law enforcement using the facial recognition technology.
I think it is serious to have good sales. As I learned belatedly, the more you sell, the more publishers pay attention to you, and it took me a very long time to figure that out because I never thought that way.
My ability to notice that kind of thing, the sanctity of the bubble that you create, has not been so good in a way, in that I notice it concurrently with actually doing the thing. I always notice it in retrospect.
I also grew up on a farm in east Tennessee, so my roots are just naturally super southern, so I've always had that southern country lifestyle.
In college, I had a lot of friends who were writers and wanted to be writers and I felt intimidated by it. I just didn't know if I had any gift or voice and I had no confidence about it.
I never took drug to escape. I know some people take drugs to escape, but I took drugs because I was an experimenter. And an artist. And I was always trying to go to the other side of that veil and get information, like all writers have done through the millennia. To get some insights on how the whole thing works, if there's any way to know how it works, and write about it.
It didn't help matters that I was shy and wore glasses. I was never one to stand out in the crowd. I liked to stay in corners. And I was happiest when I was alone reading. That and the good grades I got in school had doomed any chance of being popular with my peers. So it was a foregone conclusion that boys like Hardy were never going to take notice of me.
When Washington State has been good, they've always had a connection to Southern California. You know, as far as visiting, that's different than recruiting. Recruiting is based on production and players, who you can get. You know, so, the nicest parts of Southern California aren't necessarily the best players.
Memories of my Southern upbringing in Richmond, Virginia, always include the smell of good southern food: fried chicken, cheese grits, Smithfield ham, and buttermilk biscuits.
When you consider all the writers who never even had a machine. Who would have given an eyeball for a good typewriter. Any typewriter. All the ones who wrote on a matchbook covers. Paper bags. Toilet paper. Who had their writing destroyed by their jailers. Who persisted beyond all odds.
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