A Quote by William Joyce

I've always liked getting away with just a little bit of what you're not supposed to. Like my first book, Billy's Booger, got me in trouble with the principal's office.
The first book I ever wrote was in fourth grade and it was called 'Billy's Booger.' It was an autobiographical piece about a kid who was really bad at math.
I've learned to be more reserved, watch what I'm saying; I got in a little bit of trouble. People tell me 'Never lose that, never lose that,' but then I get in trouble so I have to lose it. I'm trying to keep a little bit; I'm never going to lose who I am, I just gotta tone it down a little bit.
I always wanted to be Jo in 'Little Women.' She's a bit reckless and feckless, always getting into trouble like me. But I'm probably more like Madame Bovary.
Stella: I got a nose for trouble. I can smell it ten miles away... I can smell trouble right here in this apartment. First you smash your leg. Then you get to lookin' out the window. See things you shouldn't see. Trouble. I can see you in court now, surrounded by a bunch of lawyers in double-breasted suits. You're pleading: 'Judge, it was only a little bit of innocent fun. I love my neighbors like a father.' And the Judge says, 'Well, congratulations, you've just given birth to three years in Dannemora.'
I'm not saying to the kids yo drop out of school, education is the most important thing first and foremost. You know, my circumstances were a little different. I needed to work to help out so I couldn't be in school. Not only that, it was getting into trouble and all that s**t. I was getting into trouble more in school than I was out of school, so I had to just go ahead and make that adjustment, so I mean realistically I always tell everybody, in my case I don't got a high school diploma, but I have two Grammys so it kinda worked out best for me.
[I just try to stay around the same people] is what kept me out of trouble, because when I got into trouble, it was with people from the outside. The outside always led me to getting into trouble, and really just stayin' in the studio [and] workin' hard, and mainly just keepin' my mind straight.
The trouble is, being an actor, you're always being sent scripts, so you've always got something to read. You've always got about three scripts to read, that you have to read, all the time. So finding a book or getting into a book series is hard, especially for me.
I was just a goofy little funny kid, who was always getting sent to the principal. It wasn't serious because I was smart. I wasn't like a true troublemaker, just rambunctious - like, talkative and trying to be funny. That was me in middle-school.
When Shonda Rhimes calls, you feel like you get called into the principal's office a little bit, and you think, 'Maybe I better take that call.'
I got into music when I was a little boy. My dad was always into jazz. I got my education from him. The first time I listened to jazz, he gave me a Thelonious Monk record. It was so different from anything I had ever heard. It took me a while to understand it, and I liked that. I liked the fact that it wasn't immediately palatable.
To be honest, the first time round, I didn't think 'Fame Academy' was the worst premise in the world. You got people on, and they would write songs and develop themselves as artists. But then, instead of getting a little bit more credible, it got a little bit more ridiculous.
I like cats a lot. I've always liked cats. They're great company. When they eat, they always leave a little bit at the bottom of the bowl. A dog will polish the bowl, but a cat always leaves a little bit. It's like an offering.
I feel like I love a little bit of everything. I grew up listening to the stuff my parents liked, from Earth, Wind & Fire, Luther Vandross, Billy Joel to Bruce Springsteen and The Mommas & The Poppas.
I got a little bit pleased with myself. I didn't buy a Rolls-Royce or anything like that but I didn't see my biological family for a while. I was getting a bit self-important and they told me. They dragged me back.
Billy covered his head with his blanket. He always covered his head when his mother came to see him in the mental ward - always got much sicker until she went away. It wasn’t that she was ugly, or had bad breath or a bad personality. She was a perfectly nice, standard-issue, brown-haired, white woman with a high school education. She upset Billy simply by being his mother. She made him feel embarrassed and ungrateful and weak because she had gone through so much trouble to give him life, and to keep that life going, and Billy didn’t really like life at all.
There's one good thing about getting in trouble: It seems like you do it in steps. It seems like you don't just end up in trouble but that you kind of ease yourself into it. It also seems like the worse the trouble is that you get into, the more steps it takes to get there. Sort of like you're getting a bunch of little warnings on the way; sort of like if you really wanted to you could turn around.
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