A Quote by William Julius Wilson

I maintain that the period during the first half of the 1990s, the period in which rising inequality reached its peak, was a period in which we came very, very close to a demagogic immobilization of racism in this society.
You have to be very productive in order to become excellent. You have to go through a poor period and a mediocre period, and then you move into your excellent period. It may be very well be that some of you have done quite a bit of writing already. You maybe ready to move into your good period and your excellent period. But you shouldn't be surprised if it becomes a very long process.
When young men or women are beginning life, the most important period, it is often said, is that in which their habits are formed. That is a very important period. But the period in which the ideals of the young are formed and adopted is more important still. For the ideal with which you go forward to measure things determines the nature, so far as you are concerned, of everything you meet.
On movies, I like to involve the cast in the writing of the script. I like to have a rehearsal period, after which I do the last draft, which gives me a chance to incorporate anything the actors have come up with during the rehearsal period, so I'm very inclusive as a writer.
Between capitalist and communist society there lies the period of the revolutionary transformation of the one into the other. Corresponding to this is also a political transition period in which the state can be nothing but the revolutionary dictatorship of the proletariat.
My impressions of the Russian Revolution can be divided into two periods. The first period was when I showed deep sympathy. My second period is one of disappointment. This change was the result of close observation on the spot.
The mistake we make with many people - not just Russia - is that we believe we have the model, and there is a sort of a condescension in our dialogue with other societies, which was especially painful in several administrations to Russia. I think in Russia, the Yeltsin period is not considered a period of great achievement, but a period of corruption and humiliation.
History asks us to imagine ourselves in a period, but it's a very different situation when you're in that period and faced with those situations.
Because I had grown up with Jane Austen novels and period dramas, I was very familiar with that period and that world.
If your work isn't mission-driven or emotionally resonant to you, it will be very hard to maintain passion and focus over a long period of time, which is critical in entrepreneurship.
Sometimes when you're working on a period piece, there's this tendency to be nostalgic about the period and do everything superglamorous, which can end up looking cliche.
It is only after mature deliberation and thorough preparation that I have decided upon the Program of Revolution and defined the procedure of the revolution in three stages. The first is the period of military government; the second, the period of political tutelage; and the third, the period of constitutional government.
When we suffer anguish we return to early childhood because that is the period in which we first learnt to suffer the experience of total loss. It was more than that. It was the period in which we suffered more total losses than in all the rest of our life put together.
I wasn't taking so many drugs that it was messing up my creative processes. It was a very good period, 1968 - there was a good feeling in the air. It was a very creative period for everyone.
Picasso had his pink period and his blue period. I am in my blonde period right now.
I love that period, between the '20s and the '60s. I love doing period pieces, and those eras are my favorite period in time, music wise, and the elegance and the way of being.
In fact I no longer value this kind of memento. I no longer want reminders of what was, what got broken, what got lost, what got wasted. There was a period, a long period, dating from my childhood until quite recently, when I thought I did. A period during which I believed that I could keep people fully present, keep them with me, by preserving their mementos, their "things," their totems.
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