A Quote by William Kentridge
The drawings don't start with 'a beautiful mark'. It has to be a mark of something out there in the world. It doesn't have to be an accurate drawing, but it has to stand for an observation, not something that is abstract, like an emotion.
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To be secure everywhere is the mark of sophistication, to be unshakable is the mark of courage, to be permanently in love with every person is the mark of masculinity or femininity, to forgive is the mark of strength, to govern our senses and passions is the mark of freedom.
But that was my very first time on a set and they said, you know, you have to stand on a mark. That little piece of tape that you stand on is called a mark. I kept correcting them and telling them that my name was Michael and not Mark. They said, 'No, no honey.' I was a little green.
I was born with a stain. A mark. Like the mark of Cain. But is the mark of my father, my family. The mark of Borgia. I have tried to be other than I am. And I have failed. And If I have failed you in the process, I am truly sorry.
A Mark that spoke of loss was still a Mark, a remembrance. You could not lose something you never had.
Character is a mark cut upon something, and this indelible mark determines the only true value of all people and all their work.
Something your father wouldn't have told you, he began. Taking blood, it leaves a mark on you. No matter how it's done, or how it's justified, it leaves a mark that goes in deep. Be sure you're willing to wear that mark before you take the blood.
Dissent is the mark of freedom, as originality is the mark of independence of mind. … No one can be a scientist … if he does not have independence of observation and of thought.
Right from the start, I loved the works of Mark Twain. Every time I read about Tom Sawyer, I'd go out and do something low-level naughty, just like him.
My mum was never too keen on TV, so we kids all went to the library and got books out. Right from the start, I loved the works of Mark Twain. Every time I read about Tom Sawyer, I'd go out and do something low-level naughty, just like him.
I know that when I finish a drawing, my anxiety level decreases. The realistic drawings are a way of pinning down an idea. I don't want to loose it. With the abstract drawings, when I'm feeling loose, I can slip into the unconscious.
I can literally count on one and a half hands how many people in WWE treated me the same pre-Mark and post-Mark. Michelle McCool didn't change, I'm still me. There were a ton of people that found out I was dating Mark and was like, 'Oh, I better change my tune and be super nice.'
My ambition is to construct a painting so that the whole of its surface is alive, however I look at it. Each mark, and the interval between each mark must give something back on its own terms.
When your feeling down, do you know you can change it, like that. Put on a beautiful piece of music, start singing, that will change your emotion - or think of something beautiful, think of a baby, maybe one you love, really keep that thought in your mind, block out everything but that thought. I guarantee you'll start to feel good.
I like Mark Hunt and I've always said good things about Mark Hunt. He goes a little bit off the rails every now and again, but I've never done anything but respect Mark Hunt.
Mark Wahlberg's, like, 150 pounds! I'm 250 lean. I look like Mark Wahlberg ate Mark Wahlberg.
If you hand an adult a lump of clay, they're likely to respond by fashioning something representative out of the raw material. For the most part, they'll simply forge an object that signifies something "real" in the world, even if that something is as abstract as an emotion or an energy. A child, on the other hand, will just as often produce something totally without semiotic meaning, a shape or a mass that represents nothing that exists outside of their imagination. Or else, they'll eat it or throw it or ignore it, wholesale.
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