A Quote by William Kircher

Films are always different from books. — © William Kircher
Films are always different from books.
Comic books and films have a lot more in common than, say, comics and books or films and books. The two art forms, to me, seem like pretty close siblings.
There's always been this feedback between comics and films. But I think that if you take that analogy too far, if you only see comic books in terms of films, then eventually the best we can end up with is films that don't move. It would make us a poor relation to the movie industry.
Different films have different places in people's lives. I don't get to see a lot of films, so I want to watch films I learn from.
I think the films we see, the Hollywood films, which are basically entertainment, will still be there, but they'll be in a totally different category. People won't take them seriously. They'll kind of end up the way comic books have. A side view of things.
A lot of films that have been adapted from books stop serving you because they become different. I mean, they are different entities in themselves, but artistically, what you're trying to achieve with a film is so very different to what you're trying to achieve with a book, and the way when you write a script is so very different on paper to how it seems on a screen.
It always amazes me that Japanese comics have, like, 200 pages. How do they do that? They're fat books; it's a whole different kind of comic that's very close to their films. So I'm drawing from that history and bringing it here - bringing it to Katana.
I wasn't a very outgoing child. I read a lot of books and the characters in each of the books became like imaginary friends - I immersed myself in the different worlds. I always hated finishing books that I really loved for that reason.
I have always made films simultaneously, so they go hand in hand. I think that my books are like films.
I really love being a weirdo who writes a lot of different things for a lot of different ages. I have been considering doing a guide on my website so that a reader who liked one of my books could find the other books that he or she might like, because I know some of the books are really different from the rest.
In terms of negotiating a career - I've always grown up being an insider and an outsider to different worlds, across different classes and cultures, so I have always naturally liked making films or music that puts things in unexpected places.
My love was always in books. I was just one of those avid readers. Films came later, but the stories were always present.
Making movies in France is different, but it's still acting, you know. You still have doubts and you're scared, always, but I really love doing films in America, because I love to speak English. But I think there's something very entertaining about American films. But I also like the intimacy of French films.
There are so many books I love for different reasons. For superhero stuff, I always go back to Alan Moore's 'Watchmen' or his 'Swamp Thing' run. Those are my two favorites, and there are indie books that I really love, like Eddie Campbell's 'Alec' books and 'From Hell.'
Different directors have different techniques in the use of films. Cronenberg is very different in the way he works with film, and how he takes the audience into his films is different than how Peter Jackson would do that or Jon Stewart. So, if you go between those artists, you shift gears and you kind of fall into the working method of that film.
My influences are all over the place. Different films have spoken to me at different times in my life, and they've helped create my idea of the kind of films I want to make.
There's a different kind of experience you have when you experience live entertainment versus the kinds of media we tend to consume most of, when we're watching television or films or reading books. Live entertainment is a whole different beast.
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