A Quote by William Kittredge

What I wanted was some dreamlike Frank Lloyd Wright bungalow where we could sit on the veranda forever and it would always be twilight in the temperate zones, in the most beautiful house.
In the early work of Frank Lloyd Wright - and you can also see it with Mies - they make new ground by raising the ground. Frank Lloyd Wright did it so beautifully with the Robie House. The roof becomes almost a new ground.
Frank Lloyd Wright... his things were beautiful but not very functional.
There are hundreds of Frank Lloyd Wright buildings around the United States and in other countries, too. Wright lived into his 90s, and one of his most famous buildings, the Guggenheim Museum in New York, was completed just before his death. Wright buildings look like Wright buildings - that is their paradox.
If for no other reason, Frank Lloyd Wright would be justly famous for Fallingwater, one of the most extraordinary houses in the world. This biography of a house is also a celebration of the creative minds who envisioned it and provides all the reasons, if any are needed, why Fallingwater should be cherished as a national monument. Franklin Toker has performed an invaluable service.
I grew up in a time when Eames and Le Corbusier and Frank Lloyd Wright and other architects were putting their furniture and objects on the market. You could buy some of those objects on the open market. Eames was a huge influence on all of us in school.
And I loved Frank Lloyd Wright. I think he was the greatest man I have ever met in my life.
My grandfather Frank Lloyd Wright wore a red sash on his wedding night. That is glamour!
I haven't any wisdom - just a child like everybody else. I'm not as great as Frank Lloyd Wright.
Dodger Stadium is not an antique. It's not Frank Lloyd Wright. It's a nice place to play baseball, but there are far better.
As I went through 'This Progress,' one of two performance pieces by Tino Sehgal that transform Frank Lloyd Wright's emptied-out spiral into a dreamy Socratic-purgatorial journey, the museum literally fell away. I was suspended in some weird nonspace.
I think a lot of people have the Frank Lloyd Wright model in their brains. The architect comes in with this act of creation and lays it down, and that's it. But that's not me.
Titian and Rembrandt, Monet and Rodin, Frank Lloyd Wright and Le Corbusier, Mark Twain and Henry James, Robert Frost and Elizabeth Bishop, to name a few. Twain wrote 'Tom Sawyer' at 41 and bettered it with 'Huckleberry Finn' at 50; Wright completed Fallingwater at 72 and worked on the Guggenheim Museum until his death at 91.
'Loving Frank' is about a forbidden love affair between two people who lived a hundred years ago - Frank Lloyd Wright and his married client, Mamah Borthwick Cheney. The affair set off a colossal newspaper scandal when the lovers ran off to Europe together.
Just because they broke the law doesn't mean they're condemned forever to a twilight status. So, I think that most Americans, if these people who have come illegally, as long as they pay back taxes, pay a fine, learn English and get behind everybody else, that's a key element of it. And most Americans now realize we can't have 11 million people sit in the twilight - the shadows of America, forever.
My affection for CinemaScope initially was my affection for the horizontal line as I learned it from having been apprenticed to an architect who was someone named Frank Lloyd Wright.
A turning point in the public's perception of the building art came with the publication of Frank Lloyd Wright's 'An Autobiography' of 1932, a picaresque narrative that captivated many who hadn't the slightest inkling of what architects actually did.
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