A Quote by William Klein

I discovered that I could do whatever I wanted with a negative in a darkroom and an enlarger. — © William Klein
I discovered that I could do whatever I wanted with a negative in a darkroom and an enlarger.
I was 24 years old at the time. I had no real notion of what photography was about. I had no training. By accident, I put a negative in an enlarger, and you can do many things with that negative.
I fell in love with the darkroom, and that was part of being a photographer at the time. The darkroom was unbelievably sexy. I would spend all night in the darkroom.
They thought that I was a man with reasonable judgment, so I was never under pressure from my parents; I could do whatever I wanted. I never had a negative word from them, nothing whatsoever.
Don't get between me and a really good picture in the darkroom, because then I want to go straight to the darkroom and develop it. But once that's done, I'm fine.
My father taught me photography. It was his hobby, and we had a small darkroom in the fruit cellar of our basement. It was the kind of makeshift darkroom that was only dark at night.
I could do whatever I wanted as a girl, whatever my brother did. I could play against the boys and achieve whatever they did.
...and I discovered something: the meaning of my life was whatever I wanted it to be.
I always wanted to be the best I could be at whatever I did. I didn't want to be the number one golfer in the world. I just wanted to be as good as I could be.
I told myself, 'When I grow up, I want to make pictures that can inspire and nourish people.' Immediately, when I was 10, I started photographing nature. I built a darkroom. My first really good darkroom, not just down in the cellar, was when I was 14.
I got into MMA because I wanted to show my kids that they could be an athlete, that they could push themselves in whatever direction they wanted in life.
It was amazing to watch him in the darkroom at an advanced age, still get excited when the results were pleasing. He still struggled like we all do in the darkroom and he struggled behind the camera, and when he had a success he was beaming.
The first thing I wanted to be was an actor, even before I wanted to be a singer, before I discovered I could sing.
I'm a parent. I have kids, and what's happening with our waters, and our oceans, and what's happening with deforestation, and all these things that human beings are having negative impacts on at this time, are concerning to me. I wanted to do whatever I could to be a part of the solution and not just be a part of the problem.
I think the moment I discovered I definitely wanted to act was when I saw a play alone by myself when I was fourteen. Maybe it was a Moliere play? I discovered the atmosphere of the theater, and I knew I wanted to be an actor.
Darkroom work had, after all, never interested me except as a means to an end; the place I wanted to be was outside in the light.
[Alex Hayley] wanted to show the negative aspects of the N.O.I.'s ideology, Yacub's history, and all of the ramifications of racial separatism that he felt were negative, and that Malcolm, being as charismatic as he was, a very attractive figure, nevertheless, he embodied these kind of negative traits.
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