A Quote by William Klein

This is supposed to be the Big Apple, with neighborhoods where the houses are all good-looking and the skyscrapers and everything. But to me, New York is kind of shoddy and uncomfortable.
To me, the difference between New York and London is that things are boring and staid in London. But even the sh-tty diner and bars here are kind of exciting for me. Downtown is funky, West Village is beautiful with the cobbled streets, but I love going uptown because you then you go, "F-ck, I'm in New York!" You see all the skyscrapers.
I really love New York, and I've lived here for a long time. I know not just the different neighborhoods but the different kind of class cultures in New York from the up-and-coming, down-and-out kind of artist to the powerful worlds of finance.
I think I can work anywhere, but you don't get the same kind of inspiration everywhere. New York theater has become a big inspiration for me. I only started writing for the stage myself because I like to see the good, mostly off-Broadway plays in New York.
If New York is the Big Apple, tonight Hollywood is the Big Nipple.
I don't necessarily notice too much of a change in the sense of the kind of matches that I have in say a Los Angeles as opposed to a New York City. The big difference that I notice, and this is what all love as New York city and Philadelphia has treated me fantastically, but man, you cannot screw up in Philadelphia and New York.
New York has become an example of everything that is wrong with America. White Americans, fearing the crime and social alienation in New York City, commute endless hours to raise their families in safe, clean neighborhoods. The numbers of non-Americans, especially those from the Third World, are growing, and it is the hard working White New Yorker that pays the bill.
[New York] is a city largely based on great skyscrapers, and they will always be the essence of New York. That won't change, just as the character of the people who live here will not be altered by this tragedy.
I'm writing songs about New York. A lot of them carry the names of neighborhoods in Long Island. Maspeth, Montauk. I'm getting into the idea of a F. Scott Fitzgerald-esque Long Island back when New York was...New York.
I really fight hard to make things film where they're supposed to be filmed. If something is supposed to be in New York, then it has to be in New York.
I'm a New Yorker now, and believe me, there's no comparison between the Big Apple and Kalamazoo, no similarity at all. New York City's hectic, always in fast-forward, and Kalamazoo's more laid-back, smaller, slower.
Ralph Kramden, as played by Jackie Gleason, was this big bumbling New York City bus driver who was kind of mean and crass and a little bit egotistical. But underneath it all, he was a big heart looking for a place to land I think.
When I was a drunk, New York was the greatest place in the world. You walk everywhere, everything is open until four in the morning, and people go to New York looking for debauchery.
Everyone knows about hot dogs and the Big Apple. But for me, New York City street food is all about the Biryani Cart.
New York is vertical - all skyscrapers.
What's changed in New York, and what made us really change our thinking about New York, is that the different neighborhoods are becoming more important as shopping destinations than they used to be.
Your pitching coach is almost like your spouse. He's someone to go to when you want to gripe and complain. The big thing for me with Mel (Stottlemyre) is that we've been through so much together. He's been through everything I've been through on the mound. He was a Yankee who won twenty games in New York and a Yankee who didn't win twenty games in New York. For me, he's been there and that's what makes a good pitching coach. He's a good man, too.
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