A Quote by William Klein
I like dark humor. I think the world is very funny and tragic, and my photographs are basically dark Jewish humor.
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I like the way that Dexter mixed humor, dark humor and tragedy, in a way I don't think that I've seen another show do. To handle those tonal shifts with so much confidence. Normally, you can mix humor and dark humor, you can mix dark humor and tragedy, but to mix all three... There are just moments with Robin and Reuben, the next door neighbors, that are just funny.
A big part of the humor is in identifying with the tragic elements of the film. The New Zealand sense of humor is very dark. Our films are usually very dark and it's always someone being killed. Usually a child.
'War on Everyone,' I think... the script was hilarious to me, but it's very dark, dark humor. It's super dark.
I am a candid interview and I have a dark and dry sense of humor - a very Canadian sense of humor and I am only learning now stupidly that you can't read tongue. When I say something funny in a newspaper and I meant it to be funny, it doesn't read that way.
I think my sense of humor is really dark and super twisted and stuff like that. It's like, "Is this a funny joke for real? Or am I just rich?" See? That was funny.
There are very few topics where I can imagine that you might not find humor. And I was stunned at how much weird and dark humor there was when my mom died.
Sometimes I do readings and people can’t stop laughing, but I’m reading about pretty tragic things. I think Soviet humor is a desperate humor, rather typical of very different nations, of Jewish people, Ukrainians, and of course, Russians. It’s despair - just keep laughing, until you are dead.
I feel like I don't really have a sense of humor... I don't know if I could characterize it dark or light. I just - I do like humor.
I'm not offended. Lenny Bruce taught me that everything's funny. You can make everything funny. I don't think that assassinations are funny, I don't think you can make fun of ISIS, but almost everything is funny. And If we can't laugh at ourselves, who can we laugh at? So I don't mind ethnic humor. I like ethnic humor. I like dialect jokes. Laughter is a very subjective thing. If it's funny to you it's funny. And a lot of things are funny to me.
I like to be able to feel as many parts of myself while watching a movie at one time. I think that's what 'Super' is - it's funny, but it's also sad. It's very touching in certain ways, and it's also got a very dark sense of humor. So it's allowed to go anywhere.
I am a candid interview and I have a dark and dry sense of humor - a very Canadian sense of humor.
An interesting difference between African-American humor and Jewish humor, in it's kind of basic or maybe most austere type form is, African-American humor, some of it comes out of playing the dozens in which you insult the other person or insult the other person's mother, and so much of Jewish humor is like, you're insulting yourself. It's totally self-deprecating.
I can't speak for the Jewish population, but I attribute my sense of humor to the tragic moments of my life. The best way to overcome certain tragedies is to develop a thick skin and sense of humor about things. Of course, I am very politically conscious and careful about my comedy. But when I do push an envelope, it's with a purpose.
Short fiction is like low relief. And if your story has no humor in it, then you're trying to look at something in the pitch dark. With the light of humor, it throws what you're writing into relief so that you can actually see it.
My humor is traced with dark - I've got dark patches all over the place.
My way of looking at the world is that if it is true, it is funny and it is dark. No matter how dark it is, I just think it is funny. I can't help it.
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