A Quote by William Least Heat-Moon

The Lewis and Clark tale has all the all the elements that one would want to put into a movie. It has the, continual threat for life; it's got the thread of Indians; it's got disease. It has daily risk where these men may go under the water. It's got the fight with the elements. It's got the el the role of the unknown continually threatening them.
We don't want to fight, but by jingo if we do, We've got the ships, we've got the men, we've got the money too.
You want to win races? You've got to get out there, and you've got to be vocal, and you've got to work. When you win, you've got to actually represent. You've got to be willing to fight your party.
You have got to goad yourself toward a becoming that is in accordance with what you are innate. You have got to sometimes become the medicine you want to take. You have got to, you have absolutely got to put your face into the gash and sniff, and lick. You have got to learn to get sick. You have got to reestablish the integrity of your emotions so that their violence can become a health and so that you can keep on becoming. There is no sacrifice. You have got to want to live. You have got to force yourself to want to.
We’ve got customers. We’ve got suppliers. We’ve got employees. We’ve got unions. We’ve got communities. We’ve got all of these things that go into making up whether a business succeeds or fails.
I try to create a style that reflects my music. So I would say it's definitely got some '90s elements, some pop elements that are a bit more feminine, and then more indie, androdgynous elements.
You've got to make it easy for the judges to mark. It's got to be clean elements.
I got a imam, I got a rabbi, I got a priest, I got a reverend - I got 'em all. But I don't want to be holier-than-thou. I want to help everybody and still get some (sex).
Being movie director you've got the art department, you've got the actors, you've got the camera department, you've got make-up and hair, and props. You've got your finger in all these pies, and you're making sure that everything cooks at the right temperature.
I haven't just got a fight IQ - and I'm clever. I've got that power. I've got that movement. I've got that timing.
Doing a concert, I look at a room full of different people, and I see you've got Muslims, you've got Jews, you've got Christians, you've got gays, you've got straights, you've got blacks, you've got whites. I think, 'How can I unite these people through song?'
When you actually get on the field, you've got to work. You've got to train. You've got to learn. You've got to put 100 per cent into it.
I've always had that attitude about my career: it's something that I do, but it's not my whole life. I have a real life, a personal life: I've got a lot of chickens, I've got a horse, I've got a kitty-cat, I've got a lot of goats, I've got animals all over the place.
As far as I'm concerned, I want to do everything because life is short. So, when I did 'The Red Violin' film, I got to go to the Oscars, and I got to meet Samuel Jackson, and I got to do stuff that one wouldn't normally do in my world.
'The Watch' is first and foremost a comedy, but since I got to shoot the film using elements from the sci-fi genre, I wanted to make sure the alien didn't look goofy. I got to make a real alien that looks dangerous. That was a big plus for me because I got to do something really fun and cool.
You've got to invest in the world, you've got to read, you've got to go to art galleries, you've got to find out the names of plants. You've got to start to love the world and know about the whole genius of the human race. We're amazing people.
This movie will actually increase the sex life of parents everywhere because they can put this on, with the 45 minutes of extras and they've got almost two hours to do whatever they've got to do while the kids watch the movie.
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