A Quote by William Lyon Mackenzie King

Just when we most need to be clearheaded, in order to face the hard facts before us, there is all too frequently a very real inclination to give way to dangerous tendencies merely as an escape from realities.
First, what does truth require? It requires us to face the facts as they are, not to involve ourselves in self-deception; to refuse to think merely in slogans. If we are to work for the future of the city, let us deal with the realities as they actually are, not as they might have been, and not as we wish they were.
there is no need to justify what we are. there is no need to work hard to become what we are not. we just need to return to our intergrity, to the way we were before we learned to speak. perfect. as little children, we are authentic. only the present time is real for us; wo don't care about the past, and we aren't worried about the future. we enjoy life; we want to explore and have fun. nobody teaches us to be that way; we are born that way.
It is in the irony of things that the theatre should be the most dangerous place for the actor. But, then, after all, the world is the worst possible place, the most corrupting place, for the human soul. And just as there is no escape from the world, which follows us into the very heart of the desert, so the actor cannot escape the theatre. And the actor who is a dreamer need not. All of us can only strive to remain uncontaminated. In the world we must be unworldly, in the theatre the actor must be untheatrical.
I don't like realism. We already know the real facts about li[fe], most of the basic facts. I'm not interested in repeating what we already know. We know about sex, about violence, about murder, about war. All these things, by the time we're 18, we're up to here. From there on we need interpreters. We need poets. We need philosophers. We need theologians, who take the same basic facts and work with them and help us make do with those facts. Facts alone are not enough. It's interpretation.
We need enthusiasm, imagination and the ability to face facts, even unpleasant ones, bravely. We need to correct, by drastic means if necessary, the faults in our economic system from which we now suffer. We need the courage of the young. Yours is not the task of making your way in the world, but the task of remaking the world which you will find before you. May every one of us be granted the courage, the faith and the vision to give the best that is in us to that remaking!
I looked at basketball as something that I love and escape from the real world, and in order to continue to escape the real world, you got to work hard at it.
One of the great sophistries of our age, I think, is that merely because one has an inclination to do something, that therefore acting in accordance with that inclination is inevitable. That's contrary to our very nature as the Lord has revealed to us. We do have the power to control our behavior.
Let us, rather, gather facts, all the facts, regardless of aesthetic appeal or theoretical social worth, and spread those facts before us not as the soothsayer spreads the innards of a turkey but as a newspaper spreads its columns. Let us be journalists, then. And like all good journalists, we shall present our facts in an order that will satisfy the famous five W's: wow, whoopee, wahoo, why-not and whew.
In many ways, I consider those to be my formative years, because when you're in school, you have a distant relationship to the world in that most of what you're learning is from books and lectures. But at Amnesty, I came face to face with realities in a very direct and harsh way.
I'm not able to completely escape naturalism. It's very difficult to escape from naturalism without being too dry. That's what I try to do in my cinema - escape naturalism and do films that are, at the same time, realistic but have a lot of fantasy. It's very difficult in cinema to get away from what life is about, from real life. The way the actors work has to be realistic - you can't do Baroque acting - so it's very complicated. And, we're human beings, so we're not perfect. I'm trying to do something different.
This is our challenge at the beginning of the twenty-first century - we need to find the courage to see our own spiritual yearnings in the biggest possible context, in such a way that is going to compel us to finally transcend our self-concern. We need to find the heart to come together in such a way that will enable us to face the challenges before us. And to do this, we need a new spirituality. We need a new enlightenment.
Workers all too frequently have been taking it on the chin. They're working hard and falling behind, all too frequently.
Only to often on meeting scientific men, even those of genuine distiction, one finds that they are dull fellows and very stupid. They know one thing to excess; they know nothing else. Pursuing facts too doggedly and unimaginatively, they miss all the charming things that are not facts. ... Too much learning, like too little learning, is an unpleasant and dangerous thing.
It is no use dealing with illusions and make-believes. We must look at the facts. The world ... is too dangerous for anyone to be able to afford to nurse illusions. We must look at realities.
To face the realities of our lives is not a reason for despair-despair is a tool of your enemies. Facing the realities of our lives gives us motivation for action. For you are not powerless... You know why the hard questions must be asked. It is not altruism, it is self-preservation-survival.
You put on a face for the public. The face isn't false; it's just another side of you. If it were false, you couldn't last. People want something real and natural, and if they catch you acting, you're dead. It has to look real. In order to look real, it has to be real, and I've always thought of the characters I've played as real people.
This site uses cookies to ensure you get the best experience. More info...
Got it!