A Quote by William Lyon Phelps

If I didn't start painting, I would have raised chickens. — © William Lyon Phelps
If I didn't start painting, I would have raised chickens.
If I hadn't started painting, I would have raised chickens.
How come when it's us, it's an abortion, and when it's a chicken, it's an omelette? Are we so much better than chickens all of a sudden? When did this happen; that we passed chickens in goodness? Name six ways we're better than chickens. See, nobody can do it! You know why? 'Cause chickens are decent people.
I haven't checked, but I highly suspect that chickens evolved from an egg-laying ancestor, which would mean that there were, in fact, eggs before there were chickens. Genius.
But when I worked on a painting I would do it from a drawing but I would put certain things I was fairly sure I wanted in the painting, and then collage on the painting with printed dots or painted paper or something before I really committed it.
When chickens get to live like chickens, they'll taste like chickens, too.
When I was little, we lived on 8 acres and my mom had a horse. But when I was 7, my mom kicked my dad out, and then in order to feed us five kids, she got critters cheap or for free and raised them for food. We milked a cow, raised chickens, pigs and beef cattle. We heated our one-story house with wood and stayed cold all winter.
The difference between H7N9 and H5N1, is that H5N1 kills chickens very rapidly, so it is easy to identify where the infected flocks of chickens are. H7N9 doesn't make the chicken sick, so it has been difficult to pinpoint where the infected chickens are.
When you start a painting, it is somewhat outside you. At the conclusion, you seem to move inside the painting.
Usually people start with painting and then go on to make installations; my painting came from installation.
Music is an amazing thing. I don't know if we really think about it the same way we consider a painting an amazing thing. I mean, a painting is, in quotes, imaginary. There is nothing on the canvas when you start; and writing a song, there is nothing there when you start.
When I was painting in art school - and I think many painters in the 1980s worked similarly - a finished painting would often be constructed from lots of other paintings underneath. Some of these individual layers of painting were better than others, but that was something that you would often only realise retrospectively.
I love art so much because of curiosity. At the start of a painting, I know 10 percent of what the painting will be, and then I have to improvise the whole thing.
When I get my hands on painting materials I don't give a damn about other people's painting... every generation must start again afresh.
I believe L.A. made me, really raised me. I think about that all the time. If I was raised in New York, how would I be? Would my game be different? You know, I think about that a lot, if I was raised somewhere else.
One drawing demands to become a painting, so I start to work on that, and then the painting might demand something else. Then the painting might say, 'I want a companion, and the companion should be like this,' so I have to find that, either by drawing it myself or locating the image.
My biggest faults is that the faults I was born with grow bigger each year. It's like I was raising chickens inside me. The chickens lay eggs and the eggs hatch into other chickens, which then lay eggs. Is this any way to live a life? What with all these faults I've got going, I have to wonder. Sure, I get by. But in the end, that's not the question, is it?
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