A Quote by William Makepeace Thackeray

Oh, Vanity of vanities! How wayward the decrees of Fate are; How very weak the very wise, How very small the very great are! — © William Makepeace Thackeray
Oh, Vanity of vanities! How wayward the decrees of Fate are; How very weak the very wise, How very small the very great are!
The thing that impressed me then as now about New York… was the sharp, and at the same time immense, contrast it showed between the dull and the shrewd, the strong and the weak, the rich and the poor, the wise and the ignorant… the strong, or those who ultimately dominated, were so very strong, and the weak so very, very weak - and so very, very many.
At Lacoste, I learned how to drive in a very conservative environment. I had to learn how to do politics, how to talk, how to explain, and how to communicate a vision, and the necessary link between marketing and creative teams. Also, very important, the shop experience, which was actually very frustrating at Lacoste.
When you're starting out as an actor people are very interested in who you are because they want to know where they can put you. And quite often, and we're all guilty of this is our lives, we judge very quickly and we pigeon-hole people very quickly based on how they look and how they talk and how they dress and we think: "Oh yeah, we know who you are."
Joan Rivers is a very wise lady. We're good friends, and I find her very much an inspiration as to how to conduct your life, and how to remain very youthful, with ambitions and dreams. Anyway, she always says that she says "yes" to everything, because you never know which thing will click, or be thrilling.
I'm very proud with how my story has gone. I've played for some very big teams, and it is not normal how I got there. It is a dream for every player to have this kind of career, so I am very proud of this.
It is good to have an intellectual awareness of our dependence upon God - to understand how great He is and how very small we are in His sight.
Jesus kinda fools around and gives you parables. He doesn't oftentimes say exactly what he means. But in Matthew 25, he's very, very clear. And he delineates what it takes to get into the Kingdom of Heaven very, very clearly. And he says how you treat the least among us, the least of our brothers, that's how you treat Him.
Everything is roughness, except for the circles. How many circles are there in nature? Very, very few. The straight lines. Very shapes are very, very smooth. But geometry had laid them aside because they were too complicated.
Honestly, it's very satisfying, and I'm very, very happy about how successful the last few years have been... It's great for the people who supported me early on to see the success I'm enjoying now.
How very dull our lives would be without literature! How very much dark and poor, how so sad and empty the world would be!
In a way, I feel I have enough tools and knowledge now that when I build it has a very specific agency that's very conscious. It's no longer speculative; it's really constructed. I'm very interested in how that consciousness, about how I am producing, is working within different conditions. It's like growing up.
My dad was very, very invested in image. He felt that as a black person, the thing you could control was how did you look, how did you dress, how did you sound, how did you smell, how did you act. All of that stuff that you could control would absolutely have a strong impact on your access.
Self-censorship has become a part of me. I think because we live in a place where community is very important, family is very important, you feel the weight of how people look at you. Even though I might seem very modern and very liberated, I still have a lot of issues to deal with. I'm scared of how people look at me.
There are so little outtakes from the Joy Division era. We didn't have much money. You couldn't be very generous in recording, so we were very thrifty in how we recorded. Everything was very, very well looked after financially because we just couldn't afford it.
I'm very, very curious about how people live under the volcano, how they handle the permanence of danger.
Immortality gets very, very boring. You'd be surprised at how interesting the small mundanities of life can seem after a few millennia.
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