A Quote by William Makepeace Thackeray
The play is done; the curtain drops,
Slow falling to the prompter's bell
A moment yet the actor stops
And looks around to say farewell.
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Old Year! upon the Stage of Time You stand to bow your last adieu; A moment, and the prompter's chime Will ring the curtain down on you.
They do not need the sun. Who needs the sun when the eyes glow? Darkness. A woolen fog has wrapped the earth, has dropped a heavy curtain. From far away, from beyond the curtain, comes the sound of drops falling on stone. Far, far away - the autumn, people, tomorrow. ("The North")
From bell to bell, from when my entrance plays and I step through that curtain, people have to wonder what's going on inside that guy's head.
For a moment man is a boy, for a moment a lovesick youth, for a moment bereft of wealth, for a moment in the height of prosperity; then at life's end with limbs worn out by old age and wrinkles adorning his face, like an actor he retires behind the curtain of death.
I understand the psychology of the sport, especially inside the ring. From bell to bell, from when my entrance plays and I step through that curtain, people have to wonder what's going on inside that guy's head.
In a deep moment of love, thinking stops. The moment is so intriguing, the moment is so tremendously powerful, the moment is so intensely alive, that thinking stops. You are simply in awe, a great wonder surrounds you.
Every director is always directing around the play. If you have an actor who really doesn't get the character well enough, you have to direct the play around that character. You have to make choices with that actor. If you have an actor that really doesn't get the role and has certain visions of the role, sometimes you have to direct around that actor.
Forgiveness to letting go of a bell rope. If you have ever seen a country church with a bell in the steeple, you will remember that to get the bell ringing you have to tug awhile. Once it has begun to ring, you merely maintain the momentum. As long as you keep pulling, the bell keeps ringing. Forgiveness is letting go of the rope. It is just that simple. But when you do so, the bell keeps ringing. Momentum is still at work. However, if you keep your hands off the rope, the bell will begin to slow and eventually stop.
I think, when someone say, "When did you feel like an actor?" it's those moments when I feel like, "I'm an actor, wow." That's an extraordinary moment for me. So it's not like I walk around going, "I'm an actor."
I want to play around with my looks. It's very boring to appear the same in all your films. Then people are looking not at the character but at the actor.
Pessimism drops the curtain on tomorrow.
Whenever any television actor looks up to me, I say I haven't done anything great; I just followed my dream.
It's nowhere near as intense as what I imagine an actor experiences backstage, but I feel a fluttering nervousness before a curtain goes up on a play. I mean, any play, anywhere - on Broadway or the Bowery or in a church basement.
It's amazing to play a character that gets to do everything - to have the action moment, have the really emotional moment, have the really fun, sweet, falling in love moment.
In around 2000, I became aware of a recurring problem of the 'tightness' around my cueing action, which somehow stops me believing that I can play the shot - even shots I could previously play with my eyes shut.
Baseball does become slow sometimes. It's totally unnecessary. The - you can play baseball fast. You can play it slow, and for some reason, we have chosen to play it slow, you know, which is unfortunate, but nothing you can do about.
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