A Quote by William Matthews

As frost, raised to its utmost intensity, produces the sensation of fire, so any good quality, overwrought and pushed to excess, turns into its own contrary. — © William Matthews
As frost, raised to its utmost intensity, produces the sensation of fire, so any good quality, overwrought and pushed to excess, turns into its own contrary.
Ice burns, and it is hard to the warm-skinned to distinguish one sensation, fire, from the other, frost.
I want to express the utmost intensity of the color, bring out the quality, make it expressive.
Pain is a sensation produced by something contrary to the course of nature and this sensation is set up by one of two circumstances: either a very sudden change of the temperament (or the bad effect of a contrary temperament) or a solution of continuity.
Capital can seldom be made productive, without undergoing several changes both of form and of place, the risk of which is always more or less alarming to persons unaccustomed to the operations of industry; whereas, on the contrary, landed property produces without any change of either quality or position.
I never set fire to a piano. I'd like to have got away with it, though. I pushed a couple of them in the river. They wasn't any good.
I think there's something quite interesting about the almost tragic quality of a lot of overwrought prose, because it has a much more self-conscious awareness of its own failure to touch the real.
Godly enthusiasm is not a fire of our own kindling...If a man, however, has caught fire, let me not quench the Spirit by dampening the ardor of his pure devotion. Enthusiasm is not contrary to reason; it is reason - on fire.
No good book or good thing of any kind shows it best face at first. No the most common quality of in a true work of art that has excellence and depth, is that at first sight it produces a certain disappointment.
Labor produces marvels for the rich but it produces deprivation for the worker. It produces palaces, but hovels for the worker. It produces beauty, but deformity for the worker. It replaces labor by machines, but it throws one section of the workers back to barbaric labor, and it turns the remainder into machines.
Books are menaced by books. Any excess of information produces silence.
Everything runs to excess; every good quality is noxious if unmixed.
Wretched excess is an unfortunate human trait that turns a perfectly good idea such as Christmas into a frenzy of last-minute shopping.
You are not an artist simply because you paint or sculpt or make pots that cannot be used. An artist is a poet in his or her own medium. And when an artist produces a good piece, that work has mystery, an unsaid quality; it is alive.
Autumn is the American season. In Europe the leaves turn yellow or brown, and fall. Here they take fire on the trees and hang there flaming. We think this frost-fire is a portent somehow: a promise that the continent has given us. Life, too, we think, is capable of taking fire in this country; of creating beauty never seen.
No hardy perennial has the enduring quality of hope. Cut it to the roots, stamp it underfoot, let frost and fire work their will, and still some valiant shoot will push, to grow again on such scanty fare as it can find. Only time and the cruel quicklime of fact can destroy that stubborn urgency.
I am the King of Frost Giants. And if you've seen any of the Frost Giants, you know that I am, of course, the Napoleon of Frost Giants. We've got some massive, fabulous guys who dwarf me and come in at around eight-and-a-half feet, nine feet. But, no. Can't you tell by the commanding presence? I am the boss.
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