A Quote by William McFee

An Englishman never takes his collar off when he is writing. How can you expect him to show you his soul? — © William McFee
An Englishman never takes his collar off when he is writing. How can you expect him to show you his soul?
Van Gogh never made a penny in his entire lifetime. He painted because it was his soul, his excitement. It was what aligned him with his Source of being. It's the same with me and writing.
Some souls think that the Holy Spirit is very far away, far, far, up above. Actually he is, we might say, the divine Person who is most closely present to the creature. He accompanies him everywhere. He penetrates him with himself. He calls him, he protects him. He makes of him his living temple. He defends him. He helps him. He guards him from all his enemies. He is closer to him than his own soul. All the good a soul accomplishes, it carries out under his inspiration, in his light, by his grace and his help.
The Englishman's strong point is his vigorous insularity; that of the American his power of adaptation. Each of these attitudes has its perils. The Englishman stands firmly on his feet, but he who merely does this never advances. The American's disposition is to step forward even at the risk of a fall.
The poor silly-clever Irishman takes off his hat to God's Englishman.
Sean pushes up to his feet and stands there. I look at his dirty boots. Now I've offended him, I think. He says, "Other people have never been important to me, Kate Connolly. Puck Connolly." I tip my face up to look at him, finally. The blanket falls off my shoulders, and my hat, too, loosened by the wind. I can't read his expression--his narrow eyes make it difficult. I say, "And now?" Kendrick reaches to turn up the collar on his jacket. He doesn't smile, but he's not as close to frowning as usual. "Thanks for the cake.
We expect him to take up a lot of space in his gangly experiments with life, and we teach him, through task, work, game, activity, and experience how to use that space. Above all, we give him mentoring and supervision that respects and teaches his gifts, his visions, even his shadowy inner demons
If Paul Ryan wants to talk about the soul of America, I ask him to look into his own soul. Because if he is saying we have no soul, he certainly has a hole in his. He needs to understand that every single person in this country has a right to expect that their government will take care of them in their greatest need.
It is impossible for an Englishman to open his mouth without making some other Englishman hate or despise him.
Sean takes my ponytail in his hand, his fingers touching my neck, and then he tucks my hair into my collar out of the reach of the wind. He avoids my gaze. Then he links his arm back around me and pushes his calf into Corr's side.
We commend a horse for his strength, and sureness of foot, and not for his rich caparisons; a greyhound for his share of heels, not for his fine collar; a hawk for her wing, not for her jesses and bells. Why, in like manner, do we not value a man for what is properly his own? He has a great train, a beautiful palace, so much credit, so many thousand pounds a year, and all these are about him, but not in him.
Henry James once defined life as that predicament which precedes death, and certainly nobody owes you a debt of honor or gratitude for getting him into that predicament. But a child does owe his father a debt, if Dad, having gotten him into this peck of trouble, takes off his coat and buckles down to the job of showing his son how best to crash through it.
The religion of England is part of good-breeding. When you see on the continent the well-dressed Englishman come into his ambassador's chapel and put his face for silent prayer into his smooth-brushed hat, you cannot help feeling how much national pride prays with him, and the religion of a gentleman.
Have you ever been anyone's?" I ask, a feathery whisper in the quiet bedroom. He lifts his head to mine, and I want him so bad I feel consumed inside, like he's already possessed my soul, and now my soul aches for him to possess my body. A powerful emotion tightens his features as he reaches out to cradle my cheek in his big hand, and there's an unexpected fierceness in his eyes, in his touch, as he cups me. "No. And you?" The calluses in his palm rasp on my skin, and I find myself tucking my cheek deeper into them. "I've never wanted to." "Neither have I." The moment is intimate.
At that instant he knew that all his doubts, even the impossibility of believing with his reason, of which he was aware in himself, did not in the least hinder his turning to God. All of that now floated out of his soul like dust. To whom was he to turn if not to Him in whose hands he felt himself, his soul, and his love?
The dog is often quick to resent a kick, be it from man or beast, but I have never known him to show anger at the door that slammed to and hit him. Probably, if the door held him by his tail or his limb, it would quickly receive the imprint of his teeth.
This creature is the Pooka. Pay no mind to the shape he wears, for he’s none of his own, and no soul either. Ware him ever, trust him never, but when the wind’s right he has his uses. Never forget that you will never know him. The Pooka’s mystery even to the Pooka.
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