A Quote by William Monahan

The thing about movies is if somebody has an idea that works, it's in, and I say that as a screenwriter as well as a director. — © William Monahan
The thing about movies is if somebody has an idea that works, it's in, and I say that as a screenwriter as well as a director.
I always loved movies, but I never thought I would presume to be a screenwriter and definitely not a director.
It was okay but then I found myself in that position of being merely a screenwriter. And you are merely the screenwriter, and there's no way around it. You don't have the same clout as the director.
Guy Ritchie is the worst screenwriter in the world, but, to be fair, he is not the worst director. He is only the worst director of the people who actually get to make movies. As we speak, there are human beings walking the Earth - perhaps as many as a half dozen of them - with less directorial talent, but they've been safely diverted into other activities.
There's no such thing as an actor giving positive criticism to a director. The minute you say 'Don't you think it would look nicer', that director's going to hate your guts. Particularly if it's a good idea.
There's no such thing as an actor giving positive criticism to a director. The minute you say 'Don't you think it would look nicer...', that director's going to hate your guts. Particularly if it's a good idea.
There's this weird thing about acting where you have to wait for somebody to ask you to do it; like you have to wait for a director to say it's okay.
As a screenwriter you're the towel boy in the whorehouse. I mean you know you're lucky if you're invited to set. It's kind of like here is the blueprint, go and that's you know there has been some debate as to whether or not a film should be by the director or by the screenwriter or by both.
I always loved movies, but I never thought I would presume to be a screenwriter and definitely not a director. I spent a lot of time for no money trying to teach myself how to write a script. It always felt like everybody was looking the other way and sneaking that script through the system, but it did well later on video and got another chance.
I think the critical thing is the product or service that you're trying to raise money for. And probably the best description of that, people should say when they hear, "This is what I want to do. This is what I want to bring to the market." They should say, "Gee! That's a great idea" or "Gee! Why hasn't somebody else thought of that before? Well, that's an incredible idea!" In other words, the more a person is delighted, or astonished, or happy with your product, or service, or idea, the more happy they are to put up money for it.
I think the most important thing for an actor is reading the script and trying to figure out if you can play that character well. The last thing on my mind is if the director made good movies previously. It's not my job to know if that director's last movie was any good - it's my job to know if I can play the role.
I'd say, 90 percent of the time, I get an idea, like, within 10 seconds of somebody telling me what their whole thing is about. And usually that flash of an idea, it's what I always go with. It might change slightly, but in general, that's pretty much it. To get me to change the entire idea is pretty tough.
I learned that you have to say that you're a filmmaker. You're not a screenwriter; you're not a director for hire. You've got to take charge. You're a filmmaker, and you're going to make a film.
That's the way this business works: if your movies do well at the box office, you will be offered more movies. It doesn't matter if you're a nice guy or you're a prick. If your movies do well, there's a job waiting for you in Hollywood. It's not any more complicated than that.
My favorite thing about making movies is that it's the only area of human life that I've ever discovered where I can walk away from somebody in the middle of a conversation with somebody and they won't be offended.
I have good idea, for if you meet some person from different religion and he want to make argument about God. My idea is, you listen to everything this man say about God. Never argue about God with him. Best thing to say is, 'I agree with you.' Then you go home, pray what you want. This is my idea for people to have peace about religion.
Very rarely have I worked with a director where we've been at odds. And by the time you've actually talked to somebody and you have the job, there's something that they see in you that they want you to bring to the character. And the best director says very little to you, acting-wise. They usually just say, "Okay, here's the shot." It's their job to do all that stuff, and your job's to do the acting. So it's very rare that somebody will say, "Oh, no. I conceived this very differently".
This site uses cookies to ensure you get the best experience. More info...
Got it!