A Quote by William Monahan

I learned my job from English dramatists. Tennessee Williams was no good for me, New York stuff was no good to me. — © William Monahan
I learned my job from English dramatists. Tennessee Williams was no good for me, New York stuff was no good to me.
I wanted to be an actor ever since I was five. My grandparents - my mom's parents in New York - were stage actors. I think indirectly I wanted to do it because of them. My grandfather would tell me stories about Tennessee Williams and actors he worked with in New York. He had such a respect for acting and such a love for storytelling about that world. I grew up hearing him tell tales of it.They were never encouraging me or discouraging me to take part. They were always feeding me with theater.
Woody Allen stayed so good because he never left New York. Howard Stern stayed so good because he never left New York - Mel Brooks when he just got out of New York was doing 'Blazing Saddles;' when he left New York he started doing stuff like 'Robin Hood Men In Tights' - he was in L.A. too long. He lost the edge.
To me, if you're lucky enough to make stuff that people will pay money for, do a good job. Really do a good job. Especially if you're talking about real stuff, like terror atrocities and human rights abuses and pencil-sharpening techniques.
My recommendation for SEO is very simple. It’s Write Good Stuff. In my mind, Google is in the business of finding good stuff. It has thousands of the smartest people in the world, spending billions of dollars to find the good stuff. All you have to do is write the good stuff; you don't need to trick it. Let Google do its job and you do your job.
My personality has gotten me some really good job interviews in New York.
I see a New York where there is no barrier to the God-given potential of every New Yorker. I see a New York where everyone who wants a good job can find one. I see a New York where the people can believe in a grounded government again.
I love Chicago. It's one of the great cities. I'm crazy about the town. It reminds me of New York when it was at its best, the New York that used to be and is no more. I love the architecture, the old stuff and the new stuff.
If they don't have the Grand Ole Opry, like they do in Tennessee, just send me to hell or New York City, it would be about the same to me.
I don't want to miss out on the good stuff. As long as the character is good and the show is good, the medium does not matter to me. There are a few makers that I have an enormous trust in and that I know will do an amazing job.
New York is the thing that seduced me. New York is the thing that formed me. New York is the thing that deformed me. New York is the thing that perverted me. New York is the thing that converted me. And New York is the thing that I love too.
It's been reinforced to me, and it's a little cliche, but I've learned that you can't make a movie that even works, much less that's good, without really good writing and really good acting. That lesson has led me to not be distracted, so much, by the other stuff going on in filmmaking and to focus on the essence of a story, and the words and the events and the way that those are interpreted by the actors. That philosophy has taken me to a place that I really like.
That's what's gonna make me come up with new stuff, if you get a good break or a good beat, you get a certain energy, and you wanna release that energy. Freezes to me are like releasing a certain energy. That's me releasing energy that beat gives me, to come up with certain things. A good beat, a rare break, a dope song that I've never really breaked to before will give me a new feeling, a new movement.
New York will make you feel small. I think that's good. At least, it's good for me.
It's just that the characters are speaking their mind. As opposed to it just being an expression, they're actually saying what's on their mind, and that's something that Tennessee Williams is really famous for. Shakespeare does that and Tennessee Williams does that. You crave that, when you're an actor, for sure.
Doing new stuff live is tough just simply because I pay my money, I stand in my seats, and I see the guys I love. And if I paid that ticket, there's a good chance that I'm there to hear the stuff that made me fall in love with 'em - we call it the "old stuff." And if an artist comes in town and dumps his entire new album on me, as a listener in a concert venue, it happens to miss out on the old stuff that I came there for. That doesn't work too well for me as a listener. Most of the time for concerts, it's the old stuff.
It's me! It's me! It's always me! [Darren when asked who smelled so good at the MTV Live interview in New York]
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