A Quote by William Monahan
I started out as a writer with an hour removed from Kingdom of Heaven. You have to make one print for the entire world, and that's something that influences the theatrical cuts of pictures to an enormous degree. It's a reality. You can't have one cut for the Sunni, and one for the Shia, and one each for Tories, Whigs, vegetarians, one cut for the Cineplex, and one for literary intellectuals.
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I'm a huge fan of director's cuts or reassemblies if they're good, but I remember being really excited about the restored version of Apocalypse Now, and then I preferred the original film. Kingdom of Heaven as a director's cut is the real picture, but in fact someone recently told me that there was another cut, the original first cut, which he said was just extraordinary. I've never seen it - and of course now I want to, if it exists, and so would everybody else.
I love that vision-board thing where you cut out pictures that resonate with you so they'll manifest. I've done that since I was three; I cut out pictures of ladies from the JCPenney catalog.
The civil war across the Middle East between the Shia and the Sunni empowers groups like ISIS and al Qaeda who claim to be the defenders of Sunni rights against Shia attack.
CONJUGATE THIS:
I cut class, you cut class, he, she, it cuts class. We cut class, they cut class. We all cut class. I cannot say this in Spanish because I did not go to Spanish today. Gracias a dios. Hasta luego.
I live intimately with my characters before starting a book. I cut out pictures of them for my wall. I do time lines for each major character and a time line for the entire novel: What is going on in the world as my characters struggle with their problems?
There's not gonna be any tuition cuts. There aren't gonna be any drastic reductions in salaries. And in fact when the subject of cuts comes up, the first thing that the opponents of cuts say, "You can't cut this faculty. You can't cut the salaries. You wouldn't save enough money, you can't go there."
After I finish writing a chapter, I'll print it out, cut it up into paragraphs, and cut away any transition sentences. Then I shuffle all the paragraphs and lay them out as they come. As I arrange and hold them next to each other, very quickly a natural structure for the chapter presents itself.
I make a lot of money. I can take a pay cut. All my friends are taking pay cuts that are in the unions, that are - that are farming in Alabama or whatever it is. I can surely take a pay cut, too, not cutting down my show or - or the people that work for me, I can take a pay cut.
Ultraconservatism is, to me, so illogical. Everywhere you go, conservatives want to cut, cut, cut, cut - cut money for powerless people. So, that's the biggest problem I have with them.
Reality offers us such wealth that we must cut some of it out on the spot, simplify. The question is, do we always cut out what we should?
With a documentary, you can cut away, you can do jump cuts, cut to a photograph at any point to bridge two scenes.
Once committed to fight, cut. Everything else is secondary. Cut. That is your duty, your purpose, your hunger. There is no rule more important, no commitment that overrides that one. Cut. Cut from the void, not from bewilderment. Cut the enemy as quickly and directly as possible. Cut decisively, resolutely. Cut into the enemy’s strength. Flow through the gaps in his guard. Cut him. Cut him down utterly. Don’t allow him a breath. Crush him. Cut him without mercy to the depths of his spirit." -Richard Rahl
I do not cut my life up into days but my days into lives, each day, each hour, an entire life.
This cannot be the United States being the air force for Shia militias, or a Shia on Sunni Arab fight.
If you look in the Muslim World right now, the Shia, the Sunni Muslims are standing at the brink of a pit of fire started by Western intervention and influence in pitting them against each other by exploiting their divisions. So the stage is set for war in that area of the world that would destroy that area as completely as what they are calling the failed state Libya making Syria, Afghanistan and Iraq failed states.
The thing I realized about final cut is it's the power of the best cut. I didn't have final cut on 'Prisoners,' but what you saw is the best cut. 'Sicario' is a directors' cut. 'Arrival' is a directors' cut.
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