A Quote by William Monahan
I've got things I have to do in fiction to sort of register my existence, before I kick the bucket, but it will never be my living and I know it. Plus it never moved fast enough for me and lacked cut and thrust. I need to be in the real show.
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I have never written a musical. I have never written a weird, interactive piece of theater. I wanted to do something that would be disturbing. It will be disturbing theater with songs. There will be no people on wires. That's probably the next one of those things on my bucket list of things that I need to write before I get hit by that car.
On my tombstone they will carve, "IT NEVER GOT FAST ENOUGH FOR ME.
Because I'm such a creative person, and I've always got my nose in a book, I suppose it was only a matter of time before non-fiction turned into fiction again. But I never consciously set out to become a writer and I never thought I'd be doing the things I'm doing today.
Before we go, I gotta know: If mind-reading abilities are real, there's something else I wondered if fiction got right about vampires-" "Ask me if I sparkle and I'll kill you where you stand," Bones cut him off with utmost seriousness.
A period romance film with elements of horror. That was successful, because I feel like Coppola's DRACULA was one or the other. You know? It was never scary it was never a film he got invested in the romance of the characters. He understood it, but he never got invested. So it as a challenge for me to see if I could do that, I still don't know how audiences will sort of react to that.
If you worship money and things, if they are where you tap real meaning in life, then you will never have enough, never feel you have enough. It's the truth. Worship your body and beauty and sexual allure and you will always feel ugly. And when time and age start showing, you will die a million deaths before they finally grieve you. On one level, we all know this stuff already. It's been codified as myths, proverbs, clichés, epigrams, parables; the skeleton of every great story. The whole trick is keeping the truth up front in daily consciousness.
We only had enough money really to cut 10 things and be in there for a month because it's expensive, you know. And, singer/songwriters, today are lucky if they can get a deal, you know. So, we actually worked so fast that we really cut 20 things.
This fact was something I also learned from this first novel that I needed personal experience to invent, to fantasize, to create fiction, but at the same time I needed some distance, some perspective on this experience in order to feel free enough to manipulate it and to transform it into fiction. If the experience is very close, I feel inhibited. I have never been able to write fiction about something that has happened to me recently. If the closeness of the real reality, of living reality, is to have a persuasive effect on my imagination, I need a distance, a distance in time and in space.
I'm moving on in years, but I tell you I still want to kick the devil before I kick the bucket.
I think everybody wants to be the best at what they do and for me I was never really there, plus it was in a time that just preceded the insanity of internet promotion around 2005 and 2006. Obviously through the digital revolution things have moved very quickly and a lot of artists got left behind.
You can never know enough, never work enough, never use the infinitives and participles oddly enough, never impede the movement harshly enough, never leave the mind quickly enough.
Very, very often in movie sex you see this fiction about unity. A union. That somehow these two thinking beings become one, and there's one action and they're sort of perfectly in sync, and the lighting's perfect, and they've got their eyes closed, and they're gone, you know? And then you cut to someone having a cigarette. And it's all so much Novocain. Meanwhile, those of us us watching it are going "I'm never going to tell anybody, but I never have sex like that".
To overcome poverty and the flaws of the economic crisis in our society, we need to envision our social life. We have to free our mind, imagine what has never happened before and write social fiction. We need to imagine things to make them happen. If you don't imagine, it will never happen.
I remember being one of the younger guys and one of the older guys would say, 'Hey, boys, you got to enjoy the moment, enjoy the ups and downs, because it goes by real fast.' You never really register that. You're just in the moment.
If everyone is a product of this society, who will say the things that need to be said, and do the things that need to be done, without compromise? Truth will never start out popular in a world more concerned with marketability than righteousness. It will initially suffer ridicule and even violence - yet ultimately it is undeniable. All of humanity is living in a dream world, but suffering real consequences.
The thing is that my first novel, which was basically a mystery adventure story, won quite an important award in Spain for young adult fiction, and because of this it became a very successful book, and right now it's some sort of a standard title, it's read widely in many high schools in Spain, so I think, in a way, I was a victim of my own success in the field of young adult fiction, because it was never my own natural register. I never intended to write that kind of fiction, but I became very successful at it.
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