A Quote by William Monahan
If you change a location opportunistically, to gain a day on the schedule, which I did more than once, you have to re-rig everything creatively on the spot, and you not only have to be able to do that, but do it with great fluency to keep moving. I used to go apeshit when anything got changed in a film but you live and learn, and I have learned.
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When I go on location, we have a schedule. And when you have a schedule, you know when you're not working, so I train very well on location. But I also train three or four times a week at home, but today I train differently than before.
I did not have any role model. I could not learn anything from the female voice that male poets used, a voice which is more "feminine" than female. Nor could I learn anything from ancient female poetry that only sang about love, the feeling of farewell and longing for others.
I don't think of it so much as the shows I did or the film sets. I mean, sometimes you'll get a nice location, but it's more, 'Who am I meeting on a day-to-day basis?' Often the rehearsals are a lot more fun than the show itself.
Even a good marriage leaves people with longings for certain things their marriage will never be. So, do they accept that, make compromises, and say, "You can't have everything in life," which is what we always did? Or do they say, "I deserve more. I want to experience that thing and, you know, I have fifty more years to live than I used to." It's not necessarily that we have more desires today, but we do feel more entitled to pursue them. We live in this "right to happiness" culture, and yes, we do live half a century longer than we used to.
He'd assumed that you went to school because you had to learn things, starting off with the easy stuff and moving on to the bigger issues, and once you'd learned them that was it, the way ahead opened up and thereafter life was simple and straightforward. What a joke. The older he got, the more complicated and obscure everything became.
For me, there's one film at a time, and my only benchmark is that my current film should be better than my last one, and I've made sure of that. If you Google the trailer of my first film - which I request you not to - you'll see the vast change in my approach towards my profession and the slow gain of maturity in performing.
Even before 'Moon,' I did a short film called 'Whistle,' and it had a lot of the things that I thought I would need to be able to do on a feature film: I shot on location, there was special FX work, there was stunt work, we used squibs, I shot on 35 mm film.
Everything was a constant battle. My first film was beautiful. I got an amazing cast. That worked out great. Everything else was like murphy's law. Everything that could go wrong, did go wrong.
I don't know anything about anything. The only difference between then and now is this: I may know more than I used to but my wisdom pales in comparison to that which I have yet to learn
When the 'godfather of punk' thing started floatin' around, it was, I was really, really embarrassed. I thought I should have a great, big rig and a cape and everything, and it was very embarrassing. And then after a while, you learn that if people call you anything, this is a great gift.
I live every day full of gratitude for the body in which I live, treating it with great love and respect. It allows me to enjoy life, experiencing everything that I perceive, exploring the events that hook my attention, modifying what I can change, and letting go of whatever I cannot.
I go through periods where I work a great deal at all hours of the day whenever I am around a typewriter, and then I go through spells where I don't do anything. I just sort of have lunch - all day. I never have been able to stick to a schedule. I work when there is something due or when I am really excited about a piece.
It's what we live for, to be able to make great illusions. The thing about 'Entourage' is everything we do is realistic. We go to the real places, we shoot on location. We get the real people. It's a perfect marriage between fact and fiction.
There are so many who know more than I do, who understand the world better than I do. I would be truly learned, a great scholar, if only I could retain everything I've learned from those I have known. But then would I still be me? And isn't all that only words? Words grow old, too; they change their meaning and their usage. They get sick just as we do; they die of their wounds and then they are relegated to the dust of dictionaries. And where am I in all this?
In TV, it is important to get everything on film as fast as possible. You rehearse every day of the week, and each day, the performance may be changed. The process is more result-oriented than in the movies. It's more about working quickly.
I have begun to regard everything as more of a process so that the sense of right and wrong diminishes in my psyche. That's been healthy for me and makes everything so much more fun. If something does not quite work out as expected or planned, I simply look for what did work, what I learned from the situation, and really try to keep it moving forward.
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