A Quote by William Monahan
I think that scripts should be published, but they are published, really, because when you're a screenwriter, your stuff ends up in samizdat form on thousands and thousands of desks and shelves across the industry.
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Thousands upon thousands of people across America and many more across the globe are suffering at the hands of the oil and gas industry.
Pretty much every issue that we've put out, there have been at least one or two things that really surprised me. It sounds like bullshit, but most of the stories that we've run had that effect on me. We get thousands and thousands of submissions and I don't think we've published a story yet - very few, anyway - where there wasn't something like what Mona Simpson described, where a first sentence or a first page didn't just really command attention.
I think most of the things I published have been published out of desperation, not because they were perfected.
It's been more than a decade since I put that self-published novel, 'Lip Service', up on a website. Since then, many hundreds of authors have gone from self-published to traditionally published.
A review of seventy-four clinical trials of antidepressants, for example, found that thirty-seven of thirty-eight positive studies [that praised the drugs] were published. But of the thirty-six negative studies, thirty-three were either not published or published in a form that conveyed a positive outcome.
Because what's the use of learning that I am one of a long row only - finding out that there is set down in some old book somebody just like me, and to know that I shall only act her part; making me sad, that's all. The best is not to remember your nature and your past doings have been just like thousands' and thousands', and that your coming life and doings'll be like thousands' and thousands'.
The factory meat industry has polluted thousands of miles of America's rivers, killed billions of fish, pushed tens of thousands of family farmers off their land, sickened and killed thousands of U.S. citizens, and treated millions of farm animals with unspeakable and unnecessary cruelty.
I have a lot of stuff that I never published because I always had a sense that novels were not finally going to be the way I made my living, because the form was dying commercially.
My technique of working is I go around with my iPhone and with my sketchbook. I take thousands and thousands and thousands of iPhone photos. I also draw from life. I can draw really, really, really fast. It's a way that I build a rapport with people.
I like shelves full of books in a library, but if all books become electronic, the task of big research libraries remains the same - keep what's published in the form in which it appeared.
I was first published in the newspaper put out by School of The Art Institute of Chicago, where I was a student. I wince to read that story nowadays, but I published it with an odd photo I'd found in a junk shop, and at least I still like the picture. I had a few things in the school paper, and then I got published in a small literary magazine. I hoped I would one day get published in The New Yorker, but I never allowed myself to actually believe it. Getting published is one of those things that feels just as good as you'd hoped it would.
Just keep writing, and try to finish that novel. Remember, all authors started exactly where you are right now; the only difference between a published author and a non-published one is that the published author never stopped writing.
I'm a reader of Chinese literature, I like their films, but also: I've had great difficulty getting my work published in China; very little of it has been published there. The first two attempts to have all of my work published, for instance, were refused without any reason ever being given.
The Stone trembled and threw herself outward bound, toward Saturn. In her train followed hundreds and thousands and hundreds of thousands of thousands of restless, rolling Stones . . . to Saturn . . . to Uranus, to Pluto . . . rolling on out to the stars . . . outward bound to the ends of the Universe.
I've built a network that curates interestingness. In my universe, it encompasses thousands and thousands of filters and people, each person being a filter. So it's kinda cool. Like I've created my own utopia, removing the boring stuff and showing only the amazing stuff.
I think it's really good not to get published. It sounds crazy but it's true. People want to get published very soon, but the moment that happens, you lose a bit of your originality. Once you publish, you are always doing things made-to-order. You stop being a weaver and become a tailor. You are tailoring things to suit other people's fashion.
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