I don't really write with actors in mind; I write with characters and then hope desperately that we can get good actors to play those parts.
A lot of screenwriters write certain characters, certain parts, with actors in mind. I don't really tend to do that. I describe them as specifically as I can, but I don't really picture anyone in particular.
I don't really write with living actors in mind. I guess I write for dead actors. I'll think of like, you know, Burt Lancaster would be good in this part, and so on. With 'L.A. Confidential,' it was like, 'Wouldn't it be cool if Dean Martin played the Kevin Spacey part?'
Every film requires a different process. You learn about these particular actors and the particular chemistry between these actors. Recognizing when you don't need to shoot a scene because it's going to be cut anyway.
I don't ever write with a particular audience in mind. I just write books that please me.
I never write. Never! I do not even remember if I can write … This is a true freestyle in general. I put a beat, I said some stuff, I retain ideas, I do it again, with a particular intonation, I test, and especially I record live.
I write music when I'm free and for no particular project in mind.
I never have particular actors planned when I'm in the process of writing.
I've always written for actors, and if you want to write for good actors, you have to write parts that are surprising, that are human, and that allow them to go to a wide range of places.
Normally, filmmakers would just write a script and cast people to act as certain characters in the story. But in my way of doing things, I have the actors in my mind already, so I'm trying to borrow something that's unique to them. The characters have a very natural connection to the actors themselves.
I don't project no image. I just act like myself. I write about how I feel, the emotional stage I'm in at the time. So I write from the heart. I never write from my mind. My brain, I mean.
Sometimes I write with a particular person in mind. I think it's fair to say that I write for a perceptive reader. You have to get it. If you don't get it the first time you may not understand. If you like repetition, analysis, explanation, you probably won't like my books.
My husband and I are writers, and I wish I could write faster. There are not a lot of movies made with black actors in mind.
I end up writing about all kinds of things. I never make an attempt to write about anything in particular. I don't have a little list of topics to write about.
If you want to write a love song, you need to not try to write it for a particular person in a particular situation. It needs to be vague, otherwise you're going to fall into trap after trap of trying to rhyme with somebody's name. Keep it vague.
I try not to have actors in mind when I write because the tendency then is to be influenced by either their last performance or your favourite of their performances.