A Quote by William Monahan

A criminal has a kind of freedom by definition that the ordinary citizen doesn't have. The criminal's able to realize himself in ways not available to the general population, if you want to put it that way. They're interesting and unpredictable. Characters always have to break some sort of bound or other to be interesting. It also helps if they're paradoxical.
In existing criminology there are concepts: a criminal man, a criminal profession, a criminal society, a criminal sect, and a criminal tribe, but there is no concept of a criminal state, or a criminal government, or criminal legislation. Consequently what is often regarded as "political" activity is in fact a criminal activity.
For me as an actor, you always sort of want to bring yourself to a character in some way. You want to find a way to approach something in a way that's real and interesting, and also so there's some empathy there.
If you do not want the State to act like a criminal, you must disarm it as you would a criminal; you must keep it weak. The State will always be criminal in proportion to its strength; a weak State will always be as criminal as it can be, or dare be, but if it is kept down to the proper limit of weakness - which, by the way, is a vast deal lower limit than people are led to believe - its criminality may be safely got on with.
Crime makes for great drama and it's interesting because it delves into the darker side of us. Those kind of stories go way back, the detective and the criminal.
I'm real bent on dialogue. I'm just a little bit crazy and when you put that along with 20 years as a criminal lawyer, it's pretty easy to come up with some interesting plots.
The interesting thing about Sherlock is that he is himself a reflection of that very English duality. As a drug addict, he is a criminal. But he is also a crime fighter. That makes him an extremely potent character to personify the hypocrisy of a culture that is both moralistic and corrupt.
I am surprised that everyone loves a criminal. It amazes me and I really don't know how to react to it. Bob Biswas has become some sort of an idol, which is interesting because such a thing has happened for the first time.
To not realize that everyone we think about affects us psychically, to not realize that life is a field of power, is criminal, in my opinion. If you are a sensitive and evolved being, it is simply criminal.
I'm socially awkward. What draws me to playing socially awkward characters? I think they're interesting. I'm fascinated kind of by - I mean, I know I'm sure I've got my own social awkwardness but I'm kind of fascinated by that and I lived, probably, I attribute it - I lived in New York for a long time, road the subways, saw a lot of awkwardness, but they're just interesting. They're not cookie cutter. They're usually very colorful characters. They see things different ways and, I don't know, its just a kind of - just a kind of life that interesting to me.
To my knowledge, there are, pretty much, two ways to be interesting: One is to actually do interesting things, achieve the remarkable. The other way to be interesting is to be interested, curious about the world and about other people - not relentlessly revelatory about yourself.
Nobody's a criminal to himself. I never play a criminal like a bad person.
We want to do things that are interesting, great storytelling, some of it is gonna be more fun and funny, some of it is more serious and talking about interesting issues that we think are provocative and interesting to us. Kind of on a more political level. But, you know, just things that we find interesting that we think stories that need to be told.
Fortunately, we have writers who very much respect the classic characters and the integrity of the classic characters, that are also terrific comedy writers and are able to put these classic characters in new and interesting, and quite funny situations for today.
Even while I'm really interested in playing female characters that are varied and interesting and dynamic, I'm not of the mind that you always want to play strong female characters. I think I just want to play characters that are interesting, and not all people are 'strong.'
Well, it's kind of like that classic sort of trajectory in this kind of movie where there's conflict and they're estranged and they kind of grow to love each other but they don't show it. Then at the end - it's kind of like that. But I think the characters are more interesting than that.
We have secrets, and we have the same secrets that criminals have. Sometimes the only difference between a criminal and a law-abiding citizen is that somebody found out the criminal's secret.
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