A Quote by William Monahan
As first time director, though, you're like a new officer coming up to be in charge of very serious veterans, and you're always going to have guys looking at each other for the first day until they realize you're not screwing around.
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So many of my friends have always been women growing up... I always feel slightly more comfortable around women because with guys in general there's always more of a danger zone... it's very aggressive sometimes the way guys act with each other, putting each other down and calling each other names, so I was always too sensitive for that and used to hang out with the girls. And they were always really funny to me.
Going into my second film as a director, it's night and day of what it was like going into my first film. It doesn't matter what you know in your head and what you've been taught until you're there and doing it; it's a whole new ball game.
The ROH guys looking at the New Japan guys coming over, we're just psyched. We think, "oh great this is just going to make our show even better." The respect level with New Japan and ROH is at an all-time high. And anytime we get a company like New Japan Pro Wrestling on a ROH show, it just benefits our show. It has everybody all jacked up, ready to do the best we can like we always do.
We made 'Mickey and the Bear' with barely any money with a first-time director, a first-time director of photography, and a crew who had just graduated from NYU film school. We were all very much in this together for the first time. There's no famous actor or big explosions. It's not a Marvel movie. I thought nobody was going to see this film.
If I meet two guys at the same time and one of them is coming on really strong and talking a lot, and the other is more quiet and reserved, I'm going to like the second one. I want someone who isn't going to give it away in the first meeting.
Even though skateboarding is considered a sport now and it is going to be in the Olympics for the first time, you always have to realize what got it there and what's going to always be important.
I think I'm the first 1990-born guy to win a Masters 1000, so it's quite special to be the first one in a very strong group of guys. There are a lot of guys playing great, and hopefully there are going to be a lot more coming.
Scott Frank and I are director friends. We met through the Sundance Labs and he's advised me on my first projects - I've visited him on set, we've shared first cuts with each other, and we're more like director pals than anything else.
You're so used to being on the road and having a schedule that the insanity seeps in when you're sitting at home and there's nothing going on that day. I remember the first time we got off one of our first big tours, I told my guys, "Go home to your girlfriends." The next day, all my guys texted me like, "Do you wanna, like, do something? Let's all go bowling. I can't hang with people that live normal lives."
I know, for me, that I have always been very conscious of how I dress when I go to the studio, I'm very conscious of my body language when I'm working - a lot of times, I'm the only female in the room. It's a very male-dominated profession. I'm always around guys. Guys are going to try you all day, and they're going to flirt all day.
...from this day forward until the day you are buried, do two things each day. First, master a difficult old insight, and second, add some new piece of knowledge to the world each day.
Probably my first memory of theatre, the first one I guess that had an impact on me was when I saw my very first panto with my Primary School. I think just going there and experience that for the first time, being so young, it's something that's actually stuck with me right up until now. And to think back and to sort of remember that magic and that first little hint of it was brilliant.
There are stars in the night sky that look brighter than the others, and when you look at them through a telescope you realize you are looking at twins. The two stars rotate around each other, sometimes taking nearly a hundred years to do it. They create so much gravitational pull there's no room around for anything else. You might see a blue star, for example, and realize only later that it has a white dwarf as a companion - that first one shines so bright, by the time you notice the second one, it's too late.
Once you're out in a place where there's one sheriff for the county, people have to learn how to get along with each other and that means going to the dump illegally and dumping your garbage and hoping the guys don't call you on it and being terrified of this to your core until you realize after many years that the guys at the dump don't really care where your garbage is coming from.
I like working with a first time director. I'm more likely to work with a first time director than I am a second time director.
I played Miley Cyrus' grandma on 'Hannah Montana,' and the first time I was on, they said, 'We love having veterans like you on because she's like a little sponge, and she's really appreciative of all the veterans that are coming on the show, and we just love that you're teaching her.'
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