A Quote by William Monahan

Poetry died as a commercial form and then it died as a serious art form. No one serious touches it. It used to be that somebody like F. Scott Fitzgerald could make a high middle-class income from working as a short story writer for the Saturday Evening Post and other outlets. That doesn't happen anymore. It used to be that a legitimate playwright could make a living on Broadway from writing decent plays.
The novel may be dead as a commercial form. When art forms things die as commercial forms, something happens to the practice of those arts that isn't very pleasant. It used to be that a poet like Tennyson could keep his house and his coach-and-four and his staff of six servants on the income from poetry. That doesn't happen anymore.
The American dream always meant that anybody willing to put in a hard day's work could make a decent living. That's just not true anymore for people without at least some post-high school education.
If you're going to compare a middle-income black kid with a middle- income white kid, and, say, you control for family background, family education, and family income, and if this middle-income black kid doesn't score as well as the white kid on the test, then I say, look, you haven't taken into consideration the cumulative effect of living in a segregated neighborhood and going to a de facto segregated school. You're denying a position at Harvard or some other place to a kid that really could make it. That's why I support affirmative action that's based on both class and race.
The struggle to write with profundity of emotion and at the same time to live like a millionaire so exhausted F. Scott Fitzgerald that he was at last brought down to the point where he could no longer be both a good writer and a decent person.
I'm not so arrogant to consider mine the only legitimate art form. I can't in one breath make a fuss about someone compartmentalizing music into genre and then in the next accuse advertising and short film of not being art.
I used to be a good story writer. I could make up a story with like, eight people in it and tell you where they all lived, what color their houses are.
I've been writing songs since I was like six or seven. I've been writing poetry and short stories and stuff, but my first serious, serious song, I wrote when I was fourteen.
Perhaps... I mean there are people who defend that it as an art. I don't. I like it but it's not an art form as far as I'm concerned, and yet it's a similar thing, once you can't land those jumps, you're disqualified - that precludes it from ever becoming a serious art form.
I didn't know how a working-class girl like me could possibly make a living in the art world
There was a time in the 1930s when magazine writers could actually make a good living. 'The Saturday Evening Post' and 'Collier's' both had three stories in each issue. These were usually entertaining, and people really went for them. But then television came along, and now of course, information technology...the new way of killing time.
There was a time in the 1930s when magazine writers could actually make a good living. 'The Saturday Evening Post' and 'Collier's' both had three stories in each issue. These were usually entertaining, and people really went for them. But then television came along, and now of course, information technology... the new way of killing time.
I'm a failed poet. Maybe every novelist wants to write poetry ?rst, ?nds he can't, and then tries the short story, which is the most demanding form after poetry. And, failing at that, only then does he take up novel writing.
Naturally I feel no shame in writing these things because of the time which separates the moment when they are written--when only I can see them--from the moment when they will be read by other people, a moment which I feel will never come. By then I could have had an accident or died; a war or a revolution could have broken out. This delay makes it possible for me to write today, in the same way I used to lie in the scorching sun for a whole day at sixteen, or make love wihout contraceptives at twenty: without thinking about the consequences
In some ways, it's easier to go from short form to long form than vice versa. I used to make 30 second 'movies,' and I think if I only did long form I would find it difficult to adjust to that short a length. 'I gotta say something in 30 seconds. Forget about it!' There have been directors who have done commercials over the years, but they seem to be the exception.
The commercial theatre may still be considered one of New York's primary tourist attractions, but . . . there is no longer an audience for serious Broadway plays. . . . Perhaps we should acknowledge that, having lost its traditional audience, Broadway can never again be a home for new plays.
What we have to do is make sure that here in America, if you work hard, you can get ahead. If you worked hard, not only did you have a good job, but you also had decent benefits, decent health care. We've got to make sure that we're doing everything we can to expand the middle class and people who are working hard can get into the middle class.
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