A Quote by William Monahan
You evolve in the ways in which you are precious. When you are the director, you are also continuing to write on the floor as you go along.
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I always write knowing that people will hear it, but also hoping they'll see it. So a lot of times I make lyrical decisions based on what looks better. Also I write based on what I saw for a video. I obsess over lyrics in the hopes that they'll endure in different ways. I'm very precious about it.
I'm continuing to write and love 'Hellblazer.' Also, I'm writing a 'Flashpoint' mini-series ' with art by George Perez - which features Shade the Changing Man and Enchantress.
Life is precious, so I ought to spend my days, you know, making sandwiches for homeless people and tending to the elderly in hospice care. Life is precious, so I should give everything away, except that I live in the world. And in the world, I actually have needs and wants, and I value my needs and wants. And I live in the world, and I can't just go make sandwiches every day because I also have to take kids to school. I also have to, you know, write books because that's my livelihood.
Believe it or not, I write on stage. I can't write anywhere else; I have to be in a moment. I also have to challenge myself to make something funny out of a premise. I never have my own jokes written. I have to change things as I go along, and I have to entertain myself.
If some lives form a perfect circle, other take shape in ways we cannot predict or always understand. Loss has been part of my journey. But it has also shown me what is precious. So has love for which I can only be grateful.
If a film is very clever and well-written, that's what gives you freedom as a director. Part of the freedom in directing, for me, is that I'm also the camera operator. That's the place where things are less rigid, where I can adjust as I go along.
There's two ways of working in Washington, ... One is to go along and get along. The other is to stand up for what you believe in.
I produce the way I would love to be produced: In ways to create the best conditions to make your movie, but also to create a space in which the director calls the shots.
new york provides not only a continuing excitation but also a spectacle that is continuing.
In these letters which I write, in the testimonies I bear, I am presenting to you that which the Lord has presented to me. I do not write one article in the paper expressing merely my own ideas. They are what God has opened before me in vision--the precious rays of light shining from the throne.
Do you all have a living room floor or a bedroom floor? Then you can write a book.
You want to give the director what they want, and you don't always know exactly how it goes, so you want to try it a few different ways. You have to be flexible; you have to be in collaboration with the director; you have to be versatile. But you also want to be protective of what you really believe in and how you feel it should be portrayed.
We have people in our lives who help us evolve along the way. If you're lucky, you find someone who evolves along with you, and that's what you call a long-term relationship.
In Hong Kong, in our generation that started out in the 1970s, being a director wasn't a big deal. We didn't even have director's chairs. We weren't particularly well paid. The social standing of a film director wasn't that high. It was a sort of a plebeian job, a second or third grade one. And the studio heads are always practical, there's never any fawning because someone is a director. There's very little snobbery about one's position as a director. The only ones people treated differently were those that were also stars; or the directors who also owned their companies.
As an organization, Esri is strong, and we're continuing to grow. We're dedicated to this. And we're excited to see what you can accomplish and to watch your work evolve.
When I write something, I want the best director to direct it. And that's not going to be me. So when David Fincher comes along and wants to direct 'The Social Network,' when Bennett Miller comes along and wants to direct 'Moneyball,' or when Danny Boyle wants to direct 'Jobs'? Hallelujah. I want them directing it.
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