A Quote by William Morris Hunt
There is force and vitality in a first sketch from life which the after-work rarely has... In your sketches keep the first vivid impression! Add no details that shall weaken it! Look first for the big things! 1st. Proportions! 2nd. Values - or masses of light and shade. 3rd. Details that will not spoil the beginnings!
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There is force and vitality in a first sketch from life which the after-work rarely has. You want a picture to seize you as forcibly as if a man had seized you by the shoulder! It should impress you like reality!
Why don't you be together with me? If you can't say it out now, then you just answer by selecting...
1st, if you say YES, we will get married right away
2nd, if you say NO, I will use every possible way to make you say YES and get married right away
3rd, if you say you need time to consider, I will give you one day to think over it and then get married
So you just choose, is it YES or NO? No, it's either 1st, 2nd or 3rd. Marry or not marry?
When you see an object, it seems that you see it as an entire thing first, and only afterwards do its details follow on. But for people with autism, the details jump straight out at us first of all, and then only gradually, detail by detail, does the whole image float up into focus.
It is no matter what you teach them first, any more than what leg you shall put into your breeches first. You may stand disputing which is best to put in first, but in the mean time your breech is bare. Sir, while you are considering which of two things you should teach your child first, another boy has learned them both.
Childhood is like a mirror, which reflects in afterlife the images first presented to it. The first thing continues forever with the child. The first joy, the first sorrow, the first success, the first failure, the first achievement, the first misadventure, paint the foreground of his life.
The first thing to look out for after your first big success are drugs and screenplays.
When I'm filling notebooks I'm trying to pin down what I'm really interested in and to find those details that are so hard to come by, details that I can look at and believe are right on the mark. Things which bring a novel to life. They can take a while to come.
There's a tendency at the senior and middle-manager level to be too big-picturish and too superficial. There is a phrase, "The devil is in the details." One can formulate brilliant global strategies whose executability is zero. It's only through familiarity with details - the capability of the individuals who have to execute, the marketplace, the timing - that a good strategy emerges. I like to work from details to big pictures.
What I am after is the first impression - I want to show all one sees on first entering the room - what my eye takes in at first glance.
There are three great truths, 1st, That there is a God; 2nd, That He has spoken to us in the Bible; 3rd, That He means what He says.
You know, your first album is about really amazing things. Your first album is always about coming of age, first love, first loss, usually you suffer a first loss of someone that you love to death, even, you know, really big life lessons, things you learn from your parents' divorce or from the travels that you took.
You only get one chance to make the first impression. And I made the biggest first impression ever by throwing the Big Show over the top rope.
It's the little things that make the big things possible. Only close attention to the fine details of any operation makes the operation first class.
In order to contract, It is necessary first to expand. In order to weaken, It is necessary first to strengthen. In order to destroy, It is first necessary to promote. In order to grasp, It is necessary first to give. This is called subtle light. The weak and the tender overcome the hard and the strong.
I don't agree with the libertarians. I want my security first. I'll deal with all the details after that.
It is the property of things seen for the first time, or for the first time after long, like the flowers in spring, to reawaken in us the sharp edge of sense and that impression of mystic strangeness which otherwise passes out of life with the coming of years; but the sight of a loved face is what renews a man's character from the fountain upwards.
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