A Quote by William Morris Hunt
I tell you it's no joke to paint a portrait. I wonder that I am not more timid when I begin. I feel almost certain that I can do it. It seems very simple. I don't think of the time that is sure to come when I almost despair, when the whole thing seems hopeless.
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The deeper reality is that I’m not sure if what I do is real. I usually believe that I’m certain about how I feel, but that seems naive. How do we know how we feel?…There is almost certainly a constructed schism between (a) how I feel, and (b) how I think I feel. There’s probably a third level, too—how I want to think I feel.
It seems almost backwards to me that my music seems the more emotional outlet, and the art stuff seems more about ideas.
I am a scientist. To be specific, I am a woman scientist. This, I have been told and have come to believe, is a good thing. In fact, it is such a good thing that America needs more of us. Everyone seems to be very sure of this. The thing that no one is sure about, however, is how to make it happen.
The more science learns, the clearer it is that although we are here, we shouldn't be. Once we begin considering the details of it all, the towering odds against our existence begin to become a bit unsettling. When we come to see the superlatively extreme precariousness of our existence, and begin to understand how by any accounting, we ought not to exist, what are we to think or feel? Our existence seems to be not merely a virtually impossible miracle but the most outrageous miracle conceivable, one that makes previously amazing miracles seem like almost nothing.
The very act of writing assumes, to begin with, that someone cares to hear what you have to say. It assumes that people share, that people can be reached, that people can be touched and even in some cases changed. So many of the things in our world lead us to despair. It seems to me that the final symptom of despair is silence, and that storytelling is one of the sustaining arts; it’s one of the affirming arts. A writer may have a certain pessimism in his outlook, but the very act of being a writer seems to me to be an optimistic act.
There is the devil at the door. I'm nearly going under, can't help but wonder who am I working for? No one's more enslaved now then the ones who falsely feel they are free. I've come to terms with the fact that nothing is what it seems. This life is an illusion. And everything you thought you knew isn't what it seems. Only truth will set you free. This new world has begun.
Nearly everyone I know seems to have a well-developed theory as to why this country is past redemption, or almost, and every theory seems almost right.
I keep feeling that people are becoming less human and more animalistic. They seem to think less and feel less so that everyone is operating on a very primitive level. I wonder what you and I will see in our lifetimes. It seems so hopeless yet we must keep on trying ... I guess we can't escape being a product of the times, can we?
It seems that when you get to a certain age you almost give yourself permission to misbehave and say what you think. People allow it, with very old people.
To me, it seems more realistic to my thought process when things feel a little scattered in the lyrics. Being disjointed is not that abstract of a thing when I think about how my brain works - I feel like it's almost more realistic. That's how my brain works.
I think the nice thing about showing work in New York is that other artists come to see it. When you show work in Switzerland or somewhere else, everywhere else seems to be the provinces in a certain way. You wonder what your paintings are doing on the walls and you wonder who's looking at them.
I was in Mexico City. It's a very pleasant city in many ways. It's vibrant, lively, pretty exciting society, but also depressing in other ways, and sometimes almost hopeless, you know. So it's a combination of vibrancy and, I wouldn't say despair, but hopelessness, you know. Doesn't have to be, but it is. I mean, there is almost no economy.
New York seems very very foreign to me, like more foreign than almost anywhere in America, and almost anywhere in the world, I find it like one of the most overwhelming places.
I'm afraid of being too sure, to just deliver. I think that's the biggest danger for actors - after a certain time, when you're known and recognised, people expect you to do what you're supposed to do, and there's almost no more criticism and that's very dangerous.
There are times I almost think I am not sure of what I absolutely know. Very often find confusion in conclusion I concluded long ago. In my head are many facts that, as a student, I have studied to procure. In my head are many facts of which I wish I was more certain I was sure.
I enjoy painting. It's an incredible release of tension, and I feel very excited doing it. I squeeze out some wonderful red paint, and I get a thrill. My heart starts beating faster. It's almost a sensual thing working with these thick acrylic paints. I almost want to put my hands in.
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